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Published on:

1st Sep 2026

How do people feel about your brand? - Business of Design

Here's the truth about your brand: it was never really up to you. It's the gut feeling someone gets the moment they meet your business, not the words you use to describe it.

Rakesh Makwana is a brand designer and art director with more than two decades in the industry, helping founders and business owners build visual identities that actually connect with the people they're trying to reach. In this episode of The Upgrade Zone, Daniel Chrzastek talks to him about what a brand really is, how his discovery process works, where AI fits into a design studio, and why he never tries to convince a client to hire him.

Subscribe for more conversations with UK business owners about the tools and decisions behind their businesses. If you're building a brand, running a service business, or trying to work out why some companies just feel more trustworthy than others, this one is for you.

WHAT WE COVER

  • Growing up in a family of makers, and discovering design at seven
  • Being diagnosed with dyslexia, and reframing it as a creative advantage
  • Why a brand is not your logo: Marty Neumeier's "gut feeling" definition
  • The kickoff call, and why it's an assessment for both sides
  • Turning down clients when the budget or the fit isn't right
  • What actually happens in a brand discovery session
  • Presenting two "stylescapes" before any design work begins
  • Why two design concepts beat five
  • Why Rakesh stopped designing logos on their own
  • Using AI for copywriting and pressure-testing ideas, without letting it flatter him
  • The tech stack and freelance network behind a one-person design studio
  • Handling rejection, knowing your value, and never justifying your price

LINES WORTH STICKING AROUND FOR

"It's not what you say about your brand to be true. It's the gut feeling of the person who perceives you."

"I was very ashamed and embarrassed about being dyslexic because I saw it as a weakness. But for many years now, I see it as a superpower."

"It's not AI taking over your jobs. It's people that are not using it."

CHAPTERS

00:00:00 Introduction

00:00:25 Welcoming Rakesh back to the show

00:01:04 Meet Rakesh Makwana, brand designer and art director

00:02:12 Growing up in a family of makers

00:02:57 Dyslexia, and finding his language in design

00:04:06 Studying graphic design at college and university

00:07:34 From hand-drawn design to the first iMac

00:08:08 Chasing trends before finding design thinking

00:09:31 Why business owners underestimate their own visual identity

00:11:12 Marty Neumeier and the real definition of a brand

00:12:08 Consistency, recall and emotional connection

00:13:10 Colour psychology and what it signals

00:13:41 The discovery process before any design begins

00:15:07 Benchmarking competitors to understand the landscape

00:15:29 How much clients actually know about what they want

00:18:07 Handling friction and misaligned expectations

00:19:17 Building user personas and a brand's DNA

00:19:43 Stylescapes: presenting two directions before designing

00:21:15 Rakesh's end-to-end business process

00:23:27 Qualifying budget before writing a proposal

00:25:16 Taking 50% upfront before discovery begins

00:26:15 Inside the discovery workshop

00:29:06 Why two design concepts beat five

00:30:05 How long a rebrand typically takes

00:31:13 Why Rakesh stopped designing "just logos"

00:33:41 Being a dyslexic, colourblind graphic designer

00:34:52 Using AI for copywriting and articulating ideas

00:38:07 Full AI versus human-first design

00:40:26 Prompting AI to challenge you, not praise you

00:42:45 Why real client feedback beats AI validation

00:45:21 The core tech stack: Adobe Creative Cloud

00:47:03 Google Drive as the central hub for files

00:49:10 Running solo and bringing in freelance support

00:52:27 Community question: dealing with rejection

00:54:55 The value of expertise, and never justifying your price

00:56:05 Community question: measuring rebrand success

01:00:03 Visual identity vs verbal identity

01:01:12 Where to find Rakesh

01:01:43 Final thought: perception is the real brand

Connect with Rakesh

Instagram: @rak.i.am

Connect with The Upgrade Zone

Podcast site: theupgradezone.co.uk/

Spotify: open.spotify.com/show/033YcP3LG4sy5NPHimYLlO

Apple: podcasts.apple.com/us/podcast/the-upgrade-zone-podcast-by-daniel-chrzastek/id6796156750

Instagram: www.instagram.com/danielchrzastek/

LinkedIn: www.linkedin.com/in/danielchrzastek/

LinkedIn: www.linkedin.com/company/the-upgrade-zone-podcast

Support the show:

buymeacoffee.com/danielcheesecake

#BrandDesign #BrandIdentity #SmallBusinessUK #GraphicDesign #TheUpgradeZone

Transcript
Speaker:

and he says, it's not

what you say about your brand to be true.

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It's the gut feeling of the person

who perceives you.

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Feel the rush.

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It's a gravity high.

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Talking tech is the planets fly.

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The upgrades on the show begins.

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Sit right back and let the future's.

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All right.

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Nice. So, Rakesh.

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Hello, my friend.

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It's so good to have you on the show.

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It's been a while

since we've seen each other.

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Must have been, what, two years now?

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2023. In London.

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So nearly three years then? Yeah.

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Through, a couple of mentors. Right?

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Now one of them became a big name,

Daniel Priestley.

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Right.

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You know, and obviously,

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Chris, though I think everybody listening,

tuning in will recognize Chris.

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So shout out.

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Take us through your story.

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How did you sort of end up where you are?

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Share some sort of,

you know, personal stories.

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You know, we're open to that.

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Well, firstly, thank you for having me.

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Dan,

I appreciate you having me here to talk.

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Obviously, I am Rakesh Makwana,

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a brand designer and art director

who helps basically

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founders and business owners, startups,

maybe medium size as well, businesses

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to create the visual identity

that connects with the audience.

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In essence. Who wouldn't need that?

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You think?

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Right. Yeah.

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Yeah.

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So in a nutshell,

you know I help great visual graphics

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for businesses

that resonate with the audiences

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from the obvious of logos,

but brand systems, even behaviors as well.

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Sometimes we tap into depending

on the business type.

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Yeah.

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You know,

mixed with strategic strategy as well.

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So I'm not a strategy designer

in any shape or form, but I do

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strategic design

in terms of like it's intentional.

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Purposeful. Got it. Just decorative.

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Got it. You know.

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And so yeah, that's kind of what I do.

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And I've. Been fantastic at.

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So obviously I started out

well let me in a nutshell I'll go back.

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I was six.

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I, I've always loved design.

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Okay.

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Ever since the age of seven.

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Eight.

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I say this because I come. Probably.

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Why not? Probably.

I come from a creative family.

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My father was a tailor

and his father was a tailor.

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And their father?

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And in my family.

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From my uncles, cousins brother as well.

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They were artists.

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They draw

or they create things they really craft.

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They had

this element of making and create.

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So it was always instilled in me.

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I remember at the age of like eight,

sitting at my dad's sewing machine, making

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hand puppets with eyes, with buttons

as the eyes and stuff. Wow.

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These are early, fond memories.

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So creativity was always there.

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And then when I went into school,

secondary, you know,

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I always was better with my hands

or thinking and credit rating.

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Academically I used to struggle.

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Which I found out

in later years in university.

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Diagnosed with dyslexia.

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So it kind of connected

whereas I was struggle with them elements

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which I didn't enjoy as much as to

anything art or design or making.

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I was just fully in.

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I was really always kind of in tuned

with that element, which is what I went

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into, into college and into university

to pursue design and everything.

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So it was my language.

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Let's say I see, I. See connect.

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And what was your,

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design education like?

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You mentioned that you went through

that education, sort of.

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I'm assuming the, the, the sort of

typical education sort of path.

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How did you find it? Was it was it useful?

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Did it open any sort of like,

you know, maybe, approach,

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you know, a new approach

to certain things for you, or did it

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simply wake up

something that was already there?

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What what would you say about that one?

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So this pinnacle moment,

I remember it was in college.

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I was studying a

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bachelor or.

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No. Sorry.

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A black National diploma in graphic

design.

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Okay. Context.

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It was just after secondary school.

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So it was from age 16 to 18.

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Okay. For two years.

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And at that age, we're a teenager.

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You know, I wasn't

I knew what I wanted to do,

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but I wasn't really giving it

my full attention in the first year.

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Got it.

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And my tutor at the time,

at the end of the first year, said,

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you're not really progressing here.

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And if you don't fix up,

we can't allow you to do the second year.

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Oh, and something and I remember this

switched in me was like, oh wait, hold up.

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If I don't do the second year,

what would I do?

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So I didn't want to fail in that

and not do the second year

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because I love design,

but I just wasn't giving it my attention.

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I was busy socializing with friends.

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And just being a teenager.

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But then that switched.

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When she said that to me,

I changed my mindset behavior,

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I started working, I would be in class

doing the research and focus.

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So that, I think, was a moment where

I realized I wanted to be doing design.

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So I need to focus in.

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I see.

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So and then after that I went in,

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went to university to do a BA Honors

Graphic design.

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Nice. For three years.

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And so

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going back to your question,

what did I take or how was that?

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Yeah.

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At the time I thought,

oh, this is brilliant.

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Okay.

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And, you know, learning

and I was learning skills and element.

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But coming out of university

and having gone into work, obviously

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skipping all that year, I realized,

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I don't know if I really took a lot away,

which I applied to myself.

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And seen.

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Okay.

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Of business skills, design

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theories and concepts and ideology

at that time.

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Yes, I got that,

but I think I learned more a lot after.

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I still believe they serve the purpose.

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Yeah, I wouldn't say,

oh yeah, I did that and that helped me.

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I see what I'm doing now necessarily.

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Okay. It's interesting.

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I can say a similar thing about my,

university days.

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When I was studying it again,

there was very little

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that I would apply later

in actually real life scenarios.

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It was just a lot of theory

which helped to have,

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let's say,

the background of certain concepts.

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Fine.

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But then when it comes to

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actual practical applications, there

wasn't that much that I could actually

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use take away with me and just, just,

you know, use at work.

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Yeah.

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So, okay, it sounds to me

like it's a similar sort of thing.

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I never studied design per se.

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I will sell thought, you know,

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so whoever you know, whatever I would be

doing around that sort of niche,

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it was always just, you know, self-taught,

you know, finding those voices online.

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You know, what they do,

how they do certain things.

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So I would just

mimic and try to learn from that.

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But like I said, not to not design

education.

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What I did, I think it did help.

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It allowed me to

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in into

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that design industry,

understanding things at that time.

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Again, when I was studying,

it was in:

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So it was a long time

AI was no longer there.

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And I think the Imax just kind of came in.

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I remember

I got my first iMac, as a second year

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in my university and was like,

wow, you know, it was the the.

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What a machine.

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Yeah.

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So the computers were there,

but they weren't as advanced,

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but they were there.

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So it was I was at that period,

the transition from quite

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traditional methods of like typesetting,

literary and hand-drawn from college

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and going into the computer

area as well. So.

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Wow. Did it help you

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identify your style

at that stage, or did you find that later?

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Definitely didn't help me identify style.

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I was following trends at that time.

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And back then, like

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David Carson, a renowned graphic

designer, and magazines like Reagan

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was very

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grunge, distressed,

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rough surf type of graphics.

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You know,

the type was eating away, distressed.

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You know,

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text and copy body was mixed match,

you know,

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challenging the grid system.

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But it was understanding the grid system,

grid system, sorry.

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And pushing it

and pushing the boundaries almost.

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So you. Almost.

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Know how to break it basically.

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Yeah. Yeah.

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You kind of learn, you know, and I think

the more you do of it you kind of learn.

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So I.

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See back then I did a, I had a style,

but then it was, it was a, my style.

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It was what I'm seeing out there.

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And with mimicking

and part of the education even today

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I think is mimicking

but then understanding why does it work.

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So I think I go into a lot of design

thinking about

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when I look at a design,

let's say a poster or graphic,

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rather than

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just face value saying,

oh, it's good, it's bad.

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I try to understand why does it work?

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Why is a negative space here working?

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Why is this? Sure.

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You know, I try to understand

the system psychology behind it.

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Almost. Yeah.

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It's very,

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under advertised area

because many businesses

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and I'm sure many listeners

will say the same thing.

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It's hard

to find a moment to think of these things.

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And people don't realize how important

having somebody like you involved in

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how they build their brand

from early stages,

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and what difference it's going to make

because you know how you are perceived.

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Obviously, this is your business card.

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You know, everybody's business card.

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It used to be a piece of paper, right.

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Not anymore.

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Right.

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It's the social media.

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It's how you show yourself.

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So then, you know, having a really, like,

solid visual

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set of materials and then a clear vision

of how you should use them.

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You know, without that,

where do you go? Right.

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You know,

you're missing out opportunities.

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You know, a number of times I see a van,

which is okay.

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There is like some,

some design, you know, geometry, whatever.

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You know, it might be working, might not.

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I'm not judging that element,

but you know it.

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Email address, contact details

at gmail.com.

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Instead of their own name.

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You know, just bragging about

the name of their company and all that.

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You know, you don't have those custom

domains sometimes.

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And these guys don't get me wrong,

they get the jobs.

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But, you know,

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I think there is a big portion

that they are missing out on just on that,

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let's say less

professional approach to certain things.

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Yeah I guess yeah.

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No, definitely I do agree with that.

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And I think how I look

at sometimes visual brand or visual

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identity is let's say logos for example.

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Right.

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We think of logos or people would say,

oh, that's your brand, but it's not.

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It's part of a tiny piece of what

a brand is. Yes.

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You know, Marty Neumeier

says this really well about what brand is.

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He's the author of the Brand Gap book,

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and he says,

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it's not what you say about your brand

to be true.

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It's the gut feeling of the person

who perceives you.

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Yeah. You know who's the customer?

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100. Percent,

I think a fantastic way of looking at it,

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because we might shout and say,

oh, look, I'm this, I'm that my business.

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We shouting about our business,

we do this, we help people do this.

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But then

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we can say that.

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But how it's received is really a true

reflection, right?

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Yes. Of that. Yeah.

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So I think visuals and graphics and logos,

all of these parts from, you know,

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they are just a reminder to people

when they see you,

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whether it's externally,

you know, if you've got signage,

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business cards, stationery,

even social platform helpful.

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It's a reminder of

you come to top of mind.

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And what helps come top of

mind is consistency.

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For example,

because we are creatures of habit

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and how we see, you know,

if we look at Egyptian.

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Glyphs back in the day, right?

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Yeah. Picture

then it was how storytelling in.

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we see things visually

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trigger something in us. Right.

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Oh 100. Percent

emotional connection happening. Yes.

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So a brand identity

that's done consistently with color,

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typography, graphics and messaging,

even words play a part of that.

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Yep. It in builds an emotional connection

in somebody to then decide

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whether they buy from you or absolutely

are you part of that tribe or you're not.

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Yeah.

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Well, that's

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why we've got all these like niches

like color psychology and all that.

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And it all is important, isn't it?

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You know,

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if you use black and gold, obviously

it's going to give you one impression

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if you're using jade or,

you know, all these kind of like,

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earthy tones, it's

going to be a different impression.

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Whether it's, you know,

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whether you're aiming for trust,

whether you're aiming for luxury looks.

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Yeah, it all serves a purpose, right.

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So and every brand is different.

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So it's important to go through

that sort of, analysis with somebody,

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you know, of, of your sort of, you know,

expertise to, to then understand, okay.

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Where does my brand even fit?

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Who am I aiming for as a client?

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You know, you should kind of know that

anyway when you're starting things out,

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but sometimes you arrive on

certain conclusions later on.

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So having that process at the early stage

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and going through

that is, I'd say, really like invaluable.

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No, it's totally very valuable.

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And this is something part of my process.

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So let's say a client signs

we agree on a proposal.

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They sign document to start work

before any design work is started.

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We do discovery.

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Yeah.

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Would be like we are unpacking.

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You say you want a brand identity system.

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I would question why do you want it?

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Why are you hoping to achieve from it?

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How would you measure it?

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What do you think

it's going to give the business?

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Yeah.

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You know, and these questions I think

questions are so powerful to unpack

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and for me to understand firstly

because this is their business,

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this is their thing,

of course I want to learn.

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But then in this discovery sessions,

by asking questions why they want,

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what do they hope to achieve?

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We often find

I say we, the client often finds out.

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I didn't even think about what

this impact or something else, you know.

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So we are learning and they're learning

in that process as well.

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And it's helping me because I'm getting

raw information from them.

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Yeah.

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Which I document and data and put down

when I did a design process later.

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You know, it's designed with substance.

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I'm going by data and experience

of what they've said.

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But then there's also a benchmarking

as well looking at the competitors.

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Yeah.

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What are they doing

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and what I like I mentioned earlier about

when you look at a poster for example,

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and you see a face value,

why does it work a certain way?

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So similarly we analyze benchmarks usually

what's working and what's not.

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In our opinion, how is it perceived, you

know, just to understand the landscape.

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Yeah.

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You have a understanding that we as

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a service provider

and a client understand that our line.

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Sure.

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Do we agree on these things? Sure.

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Or not even even challenge it.

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Yeah. Self selfish question at this point.

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How often do they know

answers to these questions?

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And how often do you actually have

to lead them step by step to actually

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help you or help

them answer these questions for you?

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Because I bet

some of them would simply not know.

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Yeah.

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And it really varies.

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Depends on it really varies.

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I wouldn't know percentages

like, you know, people

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who don't quite often.

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It's not they don't know.

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I think

going through the conversational process

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and talking about it, it unpacks

more things that they may not be aware of.

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I see.

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So they know their business to a degree,

depending on if there are start ups

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or they're still learning

or they're done their research.

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But then when I've worked with larger

organizations who have hundreds

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and thousands of employees

and going in there with the stakeholders

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and working with them,

they know what they want.

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However they know what they want.

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I want, I don't know,

let's say a brand campaign done

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for this particular product

we're launching.

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Okay.

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But I will still ask conversational.

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I would still ask them

questions to unpack.

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Why is it you want,

what are we trying to unpack?

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And in that conversation what happens

quite often I would say probably higher

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percentage of that 80 or something is

from what they wanting to

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what the result or the delivery is at

the end is a little tweak based.

360

:

I see what the results

they wanted out of it.

361

:

I see the big.

362

:

Thing because you show them

a different perspective

363

:

to look at these things

and how they are supposed to function.

364

:

Yeah, that yeah,

that pays a big part into it as well.

365

:

But I think sometimes

they might have a fixed dated idea

366

:

that I want this

because it's going to give me this result.

367

:

I see, and I just question it

to almost say, well,

368

:

okay, I'm not saying it's not the case,

but I would just challenge it

369

:

and ask questions to see,

is that what the end result is?

370

:

Are we going to see?

371

:

And then through my skill

sets of rating design and resonate.

372

:

Yeah.

373

:

You know, I married the two of what

they want and research and benchmark

374

:

and looking at the industry

and how we make it

375

:

in a way that they own it,

they become them.

376

:

You know.

377

:

I see okay.

378

:

Do you see a lot of friction

at the beginning.

379

:

So and I'm, I'm specifically referring,

referring to, the adoption element.

380

:

So you give them something.

381

:

Okay.

382

:

They say all right. Yeah.

383

:

But do they often say that. Yeah.

384

:

It feels like us or,

you know, is there like, any friction.

385

:

So you have to kind of explain things

to them and just sort of,

386

:

you know, just present it

from that perspective, okay.

387

:

Yeah.

388

:

Because this, this, this and that,

you know, it, it will, you know, embrace,

389

:

you know, the values of the

of the company.

390

:

You know, the mission, the vision

that you've got for yourself and all that.

391

:

Does that happen?

392

:

You know, quite often as well.

393

:

Or so many years ago

when I was learning the,

394

:

the design and the design of business

and business of design.

395

:

Yeah, right.

396

:

It would happen so often.

397

:

Okay. Got it.

398

:

Because I wasn't addressing the objective.

399

:

I was addressing

just esthetics of designs.

400

:

I hope they would like it

based on a very short conversation.

401

:

We would have got it.

402

:

What's changed has been

403

:

I spend a lot of time in the discovery,

like I mentioned, and outlining

404

:

their goals, objective

and even doing user personas like this.

405

:

For who?

406

:

Yes, you want it as a business,

but who are your audiences?

407

:

And we'll go into detail

of having a name for this person

408

:

a age, marital status, salary,

benchmark, references.

409

:

Where do they show? Where do they eat?

410

:

What's their lifestyle?

You really understand that?

411

:

We understand the end user who

the business is trying to attract.

412

:

Got it right.

413

:

So that becomes almost a blueprint

or DNA based on that.

414

:

There's keywords, other important

415

:

aspects of the business

which are plugged in in the discovery.

416

:

And then when I do presented design before

I, before I even presenting, after doing

417

:

that work, I would go into phase

418

:

two, what I called style scapes, okay,

419

:

which is a curated mood board

but detailed with typography color.

420

:

Sure.

421

:

Now typically present to based on

what we've already discussed

422

:

and present and discuss, say look,

this is route A and this is Ruby.

423

:

Just to for us to align to say,

424

:

do they like this visual direction

before we start working going into it.

425

:

Yeah.

426

:

So this is what I've learned before.

427

:

Earlier on in my career,

I would just jump into design.

428

:

I see

this is where I would get into friction.

429

:

I see what's now

430

:

winning the friction.

431

:

Not being there now is doing this process

of checking in with the client.

432

:

This is a style scape B

and we'll have a discussion

433

:

and we'll agree

at that point to say right. We agree.

434

:

We want to go with Stars Gate A

and there will be feedback. And

435

:

and from that point on the design concept

and development happens

436

:

based on the style

and why this is important.

437

:

And what I've learned

is I'm not presenting when I do end up

438

:

presenting a design of, let's say, concept

to a client, they're not surprised.

439

:

So it's almost a stab in the dark.

440

:

They kind of know

what they're going to get

441

:

because, yeah, we've aligned ourselves.

442

:

They know what they like

or what they don't like.

443

:

So I'm kind of addressing things

with a clear focus.

444

:

I see. So that definitely helps.

445

:

I see.

446

:

It sounds to me

447

:

like you rely heavily on the systems

that you've introduced over the years.

448

:

So if you could take us through

how you run your business,

449

:

you know, just to give us an idea

how you've structured things,

450

:

and then we can kind of move on to the,

let's say, what's what's under the hood.

451

:

And you know, what you're using

to help yourself with the process.

452

:

But let's start

with the overall structure.

453

:

How you how let's say,

you know, the client comes in, right.

454

:

Oh I'd like a nice logo.

455

:

Okay. Yeah.

456

:

Obviously

we know what your first question would be.

457

:

But you know, when when it comes

to actually working with that client,

458

:

you know, how how did you sort of

build your systems and,

459

:

and the business structure itself

to, you know, to be able to process it

460

:

and help you to cope with the workloads,

etc..

461

:

Okay.

462

:

So my system or my process

how it typically works from

463

:

let's say I have a kickoff

call a leads come my way.

464

:

I will start off by having a kickoff call

first with the client.

465

:

Yep. To understand what they need,

what they want.

466

:

And really understand what the budget

is, you know.

467

:

Very quick pause to everybody listening.

468

:

What they need and what they want

are two very different things.

469

:

Very different.

470

:

So this

is why the kickoff call is so important,

471

:

because it really determines,

I think, beyond even doing anything.

472

:

Are we going to be a good match?

473

:

Meaning am I going to be the right person

to do this job?

474

:

And are you the right client

for what I need as well?

475

:

Because I think in service providing

we always sometimes not we

476

:

some people at times jump

to always give everything of themselves.

477

:

Whereas I've been more cautious

now to assess, to see

478

:

is this going to help me as well?

If it's not, if we're not good.

479

:

Matt, I'm okay to say, look,

I might not be the person for this.

480

:

I see and recommend them

to some of the other.

481

:

But anyway,

so I'm sorry. Is that the stage?

482

:

Is that the stage

483

:

where you also look for any like red flags

in the way they behave or.

484

:

Okay, okay.

485

:

So hence the kickoff call is really assess

because I've never met them.

486

:

We're jumping on the first call

to see learn about the business

487

:

as people and see if we just gel

or if we don't.

488

:

You know. I. See I'll find out.

489

:

Typically the budget,

the scope of the work.

490

:

And based on that it will well,

491

:

based on that

it will move over to proposal stage.

492

:

So I would give

I would ask for the budget pretty often.

493

:

Clients might say, well

we don't have a budget, I'll give a range.

494

:

And if it fits within that range

before I do a proposal,

495

:

because I don't want to waste my time

with their time.

496

:

I want to be quite clear upfront to say,

look, it will be between this range.

497

:

Is that aligned with you?

498

:

Are you comfortable

with investing in something like this?

499

:

I see.

500

:

And what if they don't?

501

:

Very quickly I realize I don't

I don't take any further.

502

:

Not to say I'm not going to do it,

503

:

but I might recommend them

to somebody else

504

:

because I don't want to go into the

proposal stage or waste my time with this.

505

:

But should they be happy to

invest in that sort of a range?

506

:

I would do a proposal

507

:

that will eyeline my process,

my design, detailed about my business

508

:

credentials, case

509

:

studies, investment

and timelines very detailed.

510

:

And then I'll send that over to them

with a statement of work document

511

:

which stipulates,

512

:

that well,

the teases of the work copyright,

513

:

additional amends

514

:

or, you know, all the fine detail,

exactly what they're going to get.

515

:

So along with the proposal

in the statement and work goes out

516

:

to the client and, and typically

I would present the proposal as well.

517

:

Okay. I think this is important.

518

:

And I've realized this works better

or it has worked better for me because

519

:

when I go through the proposal and explain

and if they have any questions,

520

:

we address things quite straightforward

or in that moment.

521

:

So always the case depending

on the client, they're quite busy.

522

:

They have other commitments.

523

:

Sometimes I have to send it

524

:

Should they agree with the proposal,

the cost and everything.

525

:

The same document.

526

:

Yep I use Adobe Doc sign,

527

:

which is a process which helps me out

because I don't have to keep chasing.

528

:

So it's sent to them.

529

:

They sign it, pay 50% up

front of the total cost of the project.

530

:

Yep, comes back to me.

531

:

And at that point only does

the discovery session happen.

532

:

You've just touched

on very critical point,

533

:

because I don't think many of us think,

especially at the very early stage

534

:

of the business, about ways

how you can secure yourself.

535

:

You know, you walk into a project,

536

:

especially if you have to purchase

some materials and deliver some some work.

537

:

Or maybe you're

538

:

you're buying some licenses

to be able to deliver, you know,

539

:

what you've just said about,

540

:

you know, signing it off,

but also as part of that process,

541

:

they give you some money up front

and only then you start the actual work.

542

:

Yes, I think it's so critical.

543

:

So, you know, great

that you've already got that.

544

:

And, and it's just it's just

545

:

why it's critical is that

they are committed to this as well.

546

:

Yeah. And you know,

547

:

I then trust

and we trust each other to say, right.

548

:

We want to move forward. Yeah.

549

:

You know, it's, trust in knowing for

and that's typically my process.

550

:

But yeah that's how that happens. So.

551

:

After the signing happen

then we do discovery.

552

:

Cool. Okay.

553

:

This is where we go.

554

:

Like it may be a

555

:

workshop.

556

:

We might do half a day or few hours

depending.

557

:

Okay.

558

:

And we'll go

I call it this client workbook,

559

:

which I got actually there was a template

from Jay Crawley.

560

:

Shout out to him

if anyone wants to buy this template.

561

:

It's really helpful. Okay.

562

:

And why it's helpful

is because it it's a process

563

:

that I go through

with the client to unpack.

564

:

What is it

they want, you know, what's their mission?

565

:

What's the vision? Okay.

566

:

You know what?

567

:

If they want this logo or brand system,

you know, what things do they like?

568

:

What colors, what things have worked?

What things haven't worked?

569

:

What are the challenges they face?

570

:

I'm packing so many things,

not just esthetic design, but,

571

:

you know, I would even ask questions.

572

:

Have they worked with previous designers

in the past?

573

:

Okay.

574

:

And I would ask what didn't go

well because I want to ensure

575

:

that I don't apply or do the same things

they had a bad experience with.

576

:

You know, I want this relationship

in partnership to go in a way

577

:

that smooth for them and myself as well.

578

:

So I'm packing

and asking these questions really

579

:

helps and then go into more the business,

580

:

what they want as an outcome and so forth,

and even their user personas.

581

:

I see, you know, who are they?

What do they look at?

582

:

What do they look like? Sorry.

583

:

You know,

and then really building on that.

584

:

I see. So that's discovery stage almost.

585

:

So after the work job

I would take it away, unpack it

586

:

I see

what are you doing to give her ideally.

587

:

And then the next stage would be

588

:

to start thinking about concepts and ideas

589

:

based on obviously in this discovery

session that I would ask them

590

:

questions about design,

esthetic styles and benchmark.

591

:

Who do that aspire to? Do they not?

592

:

What is something that is a complete

no no.

593

:

Based off that the next stage

would be presenting style sketch

594

:

as I mentioned earlier, which would be

presenting two style scapes, one route

595

:

going down that way and another one

completely going the opposite way.

596

:

The reason for the bipolar opposite

is to really gauge

597

:

how they perceive

and where we're pushing the boundaries.

598

:

That's really smart. Really smart. Yeah.

599

:

And there might even be

600

:

we like a bit of A and B,

but so there might be a half a medium.

601

:

But it's good that we assessed

that early on before doing so.

602

:

There's no surprises later on.

603

:

Yeah, exactly. Yeah. And

604

:

yeah.

605

:

So after

the we aligned on that style scape,

606

:

as I mentioned earlier

on, that it goes into design concepts

607

:

where I go away and create ideas,

ideologies,

608

:

thinking shapes, graphics or whatever

it be

609

:

to present them to design concepts.

610

:

Okay.

611

:

And I do two specifically now,

I used to do

612

:

a lot more in the past

five to much choice is too confusing.

613

:

Confused mind doesn't buy. Yeah.

614

:

And by doing the earlier digging earlier

615

:

in the process helps us

616

:

get out and meet present

these two concepts got it

617

:

quite in line with what they perceive

and where the benchmark.

618

:

Makes sense. Industry is.

619

:

And then I'll present this to you Brian.

620

:

Well two concepts to them and they will

621

:

hopefully in the ideal world say back

we love number one.

622

:

There's no changes

but it's not always the case.

623

:

And of course, of course not the process.

624

:

And we will then have a feedback

625

:

on that conversation

and where it is and where it's going.

626

:

And we will then I'll take

let's say they like a bit of concept one

627

:

with a mix of concept

628

:

to go back for feedback, revised

and presented again until the point

629

:

where we find tune and finalize it

and then it will be delivery.

630

:

Pretty much that's kind of the steps

in how I do the process of the design.

631

:

And just to give everybody an idea,

632

:

how long does it

typically take to go through all this.

633

:

You know

634

:

are we looking at let's say two months,

three months, half a year or one month.

635

:

What does it typically look like?

636

:

Just on an average. Of course.

637

:

So I'll give you an example of a project

that I'm commonly working on right now.

638

:

It's a business called Cake Pallet,

actually based in Leicester.

639

:

Okay.

640

:

And from

start to finish it's still ongoing,

641

:

but it's probably taken,

I would say two months.

642

:

Okay. You know, sometimes three.

643

:

But then that's not consistently

two months.

644

:

There's gaps in between. Of course. Yeah.

645

:

But give or take

it can take about one two months.

646

:

Three months.

647

:

It can even be shorter as well

648

:

depending on the scope of the work

and what's needed.

649

:

And how much are we doing?

650

:

Like, are we doing the whole discovery

651

:

or how many parts of the process

are we doing?

652

:

I see.

653

:

But that, you know, gives everybody,

654

:

I think, a good sort of idea

what to expect because, you know, if,

655

:

if somebody like, oh,

I need a logo for tomorrow,

656

:

that's not the right approach, is it? So

657

:

who am I to say it's not.

658

:

A lot about.

659

:

I don't really design

logos for clients now.

660

:

Just logos because yeah, I realize

661

:

it doesn't benefit them really

662

:

for me, because in the sense that logo is

663

:

just a logo without substance, is that

what do you do with it?

664

:

Yeah.

665

:

And so I've stopped doing that

a long time ago.

666

:

Very good.

667

:

Not in any bad way.

There are companies are.

668

:

Of course, answers. You do that

and that's completely fine.

669

:

Yeah, but it's I. It doesn't.

670

:

Like I said earlier, design with purpose

that I feel about really injecting

671

:

meaning in what I do to help my clients.

672

:

Is something bigger

a bigger problem or challenge they have?

673

:

Yeah.

674

:

So yeah, that's.

675

:

But the whole process of, of you,

you know, asking them these questions,

676

:

it sounds like it becomes like

an organic part of what they actually are

677

:

as a, as a business, what they represent,

you know, and,

678

:

it sounds like, you know, you,

679

:

you spend a lot of time

like you plan twice and you execute once,

680

:

so you don't have to sort of go back

and redraw and, and restart from scratch.

681

:

So it,

682

:

it secures you as well because you know,

you're protecting your time in a nutshell.

683

:

So it's not just the outcome itself

that's better,

684

:

but you also only spend time once

and you do it first time.

685

:

Right. Yeah.

686

:

And I think when I'm doing this as

well, like the the clients are important.

687

:

Like the clients that trusting me

to invest in their business through me,

688

:

I, I value that a lot.

689

:

Meaning. So I want to be respectful

of their time. Yeah.

690

:

So having these processes and systems

in what I do in how I approach.

691

:

I want to make sure I'm saving them time

because time is money, right?

692

:

They are required to do other things.

693

:

So if I have processes

that make their life easier.

694

:

That's value I think.

695

:

Of course, of course.

696

:

And I think this day of age, everybody's

697

:

running around, you know, with workload

just through the roof.

698

:

You know, we're all trying to optimize

for certain things cut to cut down

699

:

the time we spend on certain things,

especially in the business.

700

:

So having that reliable, robust framework

that you follow.

701

:

Yeah, I think it's a win

win for both sides, isn't it?

702

:

Definitely.

703

:

And it does change,

as you know, as time goes.

704

:

Things adapted, tweaked depending on you

know, I'm trying to constantly improve it.

705

:

Yeah.

706

:

To make it more efficient

and working better.

707

:

Okay.

708

:

And talking on that point, just to add,

this is where I utilize

709

:

AI to help me in that efficiency

of doing part of my process.

710

:

So got it.

711

:

As I mentioned to you off camera earlier,

that I'm a dyslexic colorblind

712

:

graphic designer,

and I think that's quite rare.

713

:

And this.

714

:

Is not this scripted, guys.

715

:

It's not this scripted.

716

:

And I'm kind of owning that, you know,

whereas before I was very ashamed

717

:

and embarrassed about being dyslexic

because I saw it as a weakness.

718

:

But for many years now,

I see it as a superpower

719

:

because it allows me to, I don't know,

visually, I see things differently.

720

:

And being colorblind.

721

:

Yeah, that's another one.

722

:

But I see contrast.

723

:

What a mix, what. A contrast.

724

:

So I would put combinations and things

together which might not be the obvious.

725

:

You know like I'm wearing a blue jumper

right now. Right.

726

:

I was joking

727

:

but I'll see a contrast.

728

:

And I would put combinations together

with some surprisingly does work okay.

729

:

You know

I think that alternative perspective

730

:

is so valuable as well

because you only know what you know.

731

:

You don't know what you don't know

any new person in your circle or,

732

:

you know, an advisor of,

you know, of your caliber, you know,

733

:

you know,

734

:

they bring such a different perspective

to everything,

735

:

especially when your brain works

differently.

736

:

Yeah, I think it's gold, isn't it?

737

:

Absolutely.

738

:

And this is where, as I mentioned

with the AI.

739

:

So I use

AI to help with copywriting sometimes.

740

:

So how one of the things

like I mentioned with the dyslexia

741

:

is I've always struggled with words

and trying to articulate,

742

:

I know what I want to say and I help

AI help me leverage my explanation.

743

:

I can chuck it in. Okay. Very

744

:

unpolished and just raw.

745

:

Yep. And it'll break it down into summary,

which helps me define.

746

:

And so I use this process quite a lot.

747

:

Okay. My work. Wow.

748

:

Not even just

for the copyright side of things,

749

:

but even like benchmarking clients,

clients looking at who the benchmarks are.

750

:

User personas.

751

:

Okay, okay.

752

:

Yeah.

753

:

Do you, do you do it in writing

754

:

or would you actually speak

with one of those AI agents?

755

:

I've not really spoken with it.

756

:

I would use imagery. Okay. Yeah, yeah.

757

:

You know, things of my drawings

or graphics or things I found

758

:

inspiration from, based of

759

:

the idea, the reset side of thing.

760

:

I'll plug in prompts imagery. Yep.

761

:

And then kind of just put it in there.

762

:

But then it will be a constant

conversation with like back and forth.

763

:

And yeah,

there might be nuggets of something.

764

:

So I will take that aside.

765

:

And but then what I've found when you go

into this rabbit hole sometimes.

766

:

Oh, it opens up things that I hadn't

thought about initially.

767

:

So I think it's beautiful

because it's getting me to

768

:

now think about something different

from what I thought I wanted to take it.

769

:

Yeah.

770

:

And that's the beautiful thing of the

the creation part of.

771

:

Doesn't always happen the way,

but I think that's part of the process of

772

:

creativity is that

773

:

it's being open and

774

:

vulnerable to think like,

where is it going to go,

775

:

you know, not having a direction,

but then open to kind of

776

:

going off path sometimes

because you unpack some other things that.

777

:

That's that's so powerful

because you are constantly in charge

778

:

of the whole situation,

but you discover new ways of potentially

779

:

approaching certain thoughts or concepts.

780

:

So you're basically using it

as an extension of your own sort of,

781

:

you know, skill set, you know,

and obviously saving time, I bet,

782

:

because if you wanted to, you know,

draw everything by hand every single time,

783

:

you know, all the time,

784

:

you know, sometimes

just mixing the two things together,

785

:

you know, through AI,

it just saves so much time

786

:

just to see what

that would look like even.

787

:

Yeah, I don't

I guess I don't really use AI so much

788

:

for the process of the actual design,

while I use it more behind the scenes.

789

:

Yeah. The ideology and the thinking.

790

:

But yeah, I don't.

791

:

Yeah.

792

:

When it comes to the idea, it's

more like seeing what the graphics or

793

:

online graphics.

794

:

Yeah.

795

:

And then kind of

merging the two together.

796

:

What do you think in terms of obviously

there's two camps now like you know

797

:

everybody like okay your eye UI,

you are either

798

:

embracing the AI you're full

799

:

in, you know you're all in, you know just

you know full you know, all guns blazing,

800

:

you know, nano banana and all these kind

of, you know, latest tech.

801

:

And then no, I'm actually going to be

embracing the human side of it, you know,

802

:

and there's I think

803

:

beauty in both approaches

because you can see the different results.

804

:

And, you know, it is polarized in one way.

805

:

But then I like seeing the results

from from both camps.

806

:

I think it just depends on what mood

I'm in, maybe.

807

:

But when it comes

to the functional side of it.

808

:

What would you say about that?

Where is it all going?

809

:

Like the AI stuff on its own,

it can't be as good, can it?

810

:

So you have to

sort of like be you in the process.

811

:

I, I look at it

and yang okay, one or the other.

812

:

Like I think they both coexist.

813

:

I see and I think AI just helped

814

:

make things

more efficient, quicker, faster.

815

:

Meaning it allows design

thinking and us to create as creators.

816

:

Yep, more saves us time to do

817

:

more of that

because the machine can do things faster.

818

:

Like look at Adobe Photoshop,

all of these AI tools right now,

819

:

you know, airbrushing something out

in Photoshop, say, ten years ago.

820

:

I'll be there, like with the pen tool

and Magic one for ages,

821

:

whereas now it's a button.

822

:

So if you're saving that time,

I think it's fantastic.

823

:

Of course.

824

:

And I heard somebody say this

and I can't remember who it was, but

825

:

for people who are scared of it

826

:

or reluctant of AI, is that it's not AI

that's taking over your jobs.

827

:

It's people that are not using. 100%.

828

:

Yeah.

829

:

No, we even the camp, we against it

over with it and we're embracing it.

830

:

Yeah.

831

:

And I think the ones

who probably don't embrace

832

:

it will pretty soon fall back

and then have to catch up.

833

:

Yeah. So I don't think it's taking over.

834

:

I think it's just another tool that I can

utilize.

835

:

Yeah.

836

:

But yeah, I think

but we still need the human side of it.

837

:

And what I mean by

the human side is like talking to clients.

838

:

You and I, sitting here speaking,

there's a human connection happening,

839

:

and there's still tech

being used for AI or whatever.

840

:

But here sitting,

I think there's that marry as well,

841

:

where we interject the two together.

842

:

This is such a great perspective.

843

:

I, I do share a lot in when it comes

to, you know, this approach

844

:

because I've always found it,

you know, as soon as I saw

845

:

ChatGPT, I'm like, okay, this is great,

this is brilliant.

846

:

But it's so easy to fall in that

847

:

sort of echo chamber

because it's constantly praising you.

848

:

So it's it's not really productive, is it?

849

:

Because what a great idea.

850

:

You know, it constantly says that I'm

like, okay, let's just pause on that one.

851

:

Yeah, exactly.

852

:

So that's exactly what I do.

853

:

So like, you know, tell me what is wrong

with my concept, with my thinking, etc.

854

:

I even went to the lengths of,

I've done like a personality test

855

:

with Jordan Peterson Academy, and I've

uploaded results of that and I'm like,

856

:

okay, look at this, analyze this and align

this with my business profile.

857

:

What I'm trying to do with my offer,

what sort of strengths of my personality

858

:

can I leverage. Right.

859

:

So it's also the power of you

having an idea of a question to ask it.

860

:

Because if you're not asking a strong

question, you're not going to get a strong

861

:

sort of result of that.

862

:

Is the question.

863

:

Yeah, 100%.

864

:

So I, I leveraged it from the start

865

:

when building my offer and,

and the, the whole ecosystem.

866

:

Oh some of the things that yeah, it

the things that it pointed out,

867

:

I, I would never think about

I think I can guarantee you

868

:

I could be sitting there for a year

and I would not think about that.

869

:

So do you find something switched

by understanding that knowing that.

870

:

So you almost I don't know. Yeah.

871

:

The importance of that question.

Yeah. Yeah.

872

:

So I, I layered it in a way

that, you know, the, the master prompt

873

:

that's sitting in the background of the,

the, your profile when you register

874

:

and all that.

875

:

That's, that's one thing that's important.

876

:

That's where I would say to to it

like just don't be so like,

877

:

you know, don't praise me. Right.

878

:

You know, challenge my concept, challenge

my ideas, you know, be analytic

879

:

rather than just,

you know, warm and fuzzy and all that.

880

:

So that's what I state that clearly.

881

:

You still have to repeat it in the prompt

sometimes because it still tends

882

:

to, you know, go that direction

unfortunately.

883

:

So you you have to keep check on that one.

884

:

So that was like

the first layer of securing like, okay, I,

885

:

I don't want to hear the positive feedback

all the time because it's pointless.

886

:

It's not constructive

criticism is exactly.

887

:

And it's very different

to what actual people would say.

888

:

So that's the that's the problem.

889

:

And what you need is the feedback

from the actual people who I either

890

:

your prospects, clients, you know,

891

:

maybe past clients that you've sometimes

worked with, you know, like in the past,

892

:

you need to have that reliable like,

893

:

let's say real life, you know, feedback.

894

:

Where is this?

895

:

It's just, you know, virtual blob of

information doesn't necessarily validated.

896

:

No, definitely.

897

:

Funny

you say that because it reminds me of like

898

:

one of the things I do as an aftercare.

899

:

After finishing a project with a client,

900

:

I would ask for them to say a few words

based on some questions.

901

:

You know, like a testimonial.

They say. Got it?

902

:

Because I think is valuable for me

903

:

to kind of understand

how the process went for them.

904

:

Yeah. You know, what was the project?

905

:

What was the challenges?

906

:

How did that help solve that problem?

907

:

Because I learn things about

908

:

me in that

process, and I want them to be honest.

909

:

And I say, look, this is only to me.

910

:

If it's positive, it will be published.

911

:

If it's not, well, I'm joking,

it will always be published.

912

:

Like, I think it's important for me

because I use it as a tool

913

:

that I'm getting honest from

somebody I've worked with.

914

:

This is very valuable 100%.

915

:

Yeah.

916

:

Where can I tweak and improve on things

that they found challenging

917

:

or that didn't quite go in line?

918

:

You know, and because I want to be better.

919

:

Yeah.

920

:

Every day or at least move the needle.

921

:

On that point.

922

:

It also helps whoever would be reading

these reviews to also establish

923

:

before they even approach you,

they might be going through,

924

:

okay, I've got this guy,

I've got this guy, right?

925

:

And they just go through the reviews

like this, the case studies,

926

:

whatever they would be reading about,

and it just shows your personality.

927

:

Maybe you are more on the warm side,

928

:

maybe you are more on the human side and

that other person is a bit more robotic,

929

:

you know, okay, maybe systems are okay

as well, but then, you know, they are not,

930

:

as you know, let's say, you know,

relatable or whatever it happens to be.

931

:

So it's just harder to connect with them.

932

:

So you're winning automatically.

933

:

And that's the kind of client

you want aligned with you.

934

:

Yeah.

935

:

Again, coming back to that kickoff call

because that assessment

936

:

assessment to see where a good fit

you know I'll be going not.

937

:

Yeah. Yeah.

938

:

And sometimes let's be honest

you know you jump on a call with somebody

939

:

and you instantly know

that I can't work with that person.

940

:

You don't know why,

but it is a thing, isn't it?

941

:

Yeah. No it is.

942

:

And and I'm. And I'm quite.

943

:

Yeah, it does happen.

944

:

And sometimes I'm like, okay, look,

945

:

I don't know if I want to work on this

project and not in any bad way to them.

946

:

It's just that we are disconnected,

947

:

misaligned in that thing or the process

or what we're trying to do.

948

:

Yeah,

949

:

but I would always be helpful

950

:

if it's something that, you know,

I don't choose to want to buy,

951

:

take and help doing,

I want to still recommend them.

952

:

Should I know anyone

that am I able to help them?

953

:

I would always happily.

Okay, I see, I see.

954

:

I think it's important that you know,

955

:

just because it's

not for me or them or vice versa.

956

:

If I can still be of help or service

in some shape or form a recommendation.

957

:

Yeah, I will do that. Got it.

958

:

Okay.

959

:

And I would love to dive in

a little deeper into the the tech behind

960

:

your business.

961

:

You mentioned the

the documents signing, sort of solution.

962

:

You know,

963

:

I'm assuming

964

:

that you were working on the Adobe package

in terms of the design itself.

965

:

So that would be obviously,

you know, one big sort of,

966

:

chunky part of the

967

:

business that, you know, all you're, like,

processes would sit on, I'm assuming.

968

:

Yeah. Well, that would be the greatest.

969

:

Cloud suite is pretty much everything.

970

:

Without that,

I think I could do my job. Got it.

971

:

Or I could find the alternative,

which is affinity, which is,

972

:

you know, part of Canva. Yeah.

973

:

But when you've been using Adobe for

974

:

ten plus years,

kind of know your tools, it's.

975

:

Yeah, it's so hard to move away.

976

:

Move away.

It's not necessarily to move away.

977

:

It's like, yes, if the alternatives

provide something, that's it.

978

:

But Adobe have always been there. Yeah.

979

:

You know the programs I typically use a

Adobe Illustrator, InDesign and Photoshop.

980

:

Yeah. They're the core that I do.

981

:

I don't do motion.

982

:

I want to try and learn a bit of that

just for myself.

983

:

Yeah, but yeah, they're the three

that I use and Acrobat and.

984

:

I. See just the document.

985

:

So Acrobat I use for the contracts

that I create for clients to sign.

986

:

And then I get notification.

987

:

Okay.

988

:

But that can enhance the other,

you know, sort of other areas

989

:

of the business as well,

because you're not just,

990

:

you know, using it for one purpose.

991

:

It's like an ecosystem of things,

isn't it?

992

:

Is there anything else useful

that you might be leveraging?

993

:

I don't know when it comes to the,

994

:

let's say, managing the contact details

for your clients and suppliers.

995

:

You know, anything like,

I don't know, CRM of some sort.

996

:

Maybe your database of of of people

that you would have as your clients.

997

:

Do you have anything

998

:

like one central point, you know, that,

you know, holds everything like that?

999

:

I would say

typically I use Google Drive okay.

:

00:47:18,720 --> 00:47:23,360

Which is great, where I have

all the information, forms, documents,

:

00:47:23,400 --> 00:47:24,600

even folders.

:

00:47:24,600 --> 00:47:28,880

After creating all the design files

which I can share with them.

:

00:47:28,920 --> 00:47:32,800

So cloud storage

because it's accessible for from anywhere.

:

00:47:32,800 --> 00:47:33,600

Really. Yeah.

:

00:47:33,600 --> 00:47:37,560

And I think the cloud storage

really helpful, especially when I'm doing

:

00:47:37,560 --> 00:47:41,480

delivery of the deliverable

:

00:47:41,480 --> 00:47:45,240

final files to the client,

I'll share that folder with them okay.

:

00:47:45,280 --> 00:47:49,480

Purely because in the pre cloud

:

00:47:49,640 --> 00:47:52,360

it was that I would send

and there would always be amendments

:

00:47:52,360 --> 00:47:55,840

or changes back and forth having to reason

far back and forth with the.

:

00:47:55,840 --> 00:47:58,880

Night v1 final V1 final final.

:

00:48:00,960 --> 00:48:03,600

For my own process I do v1 v2 v.

:

00:48:03,600 --> 00:48:07,200

I never go to the client, but it's just

so I keep track of the amount of changes.

:

00:48:07,240 --> 00:48:10,960

Yeah, but then knowing to send

when when you know it was that stage

:

00:48:10,960 --> 00:48:12,640

where he would be sending

individual files,

:

00:48:12,640 --> 00:48:17,440

it was so easy to just send the wrong one

and the client would get annoyed.

:

00:48:17,440 --> 00:48:18,280

Right?

:

00:48:18,280 --> 00:48:20,520

It's like,

you know, we're seeing the same thing.

:

00:48:20,520 --> 00:48:24,840

The I, the the storage online is beautiful

because when we share that folder,

:

00:48:24,840 --> 00:48:27,840

if I need to make the men any part of any,

:

00:48:29,120 --> 00:48:31,640

project or task that was created,

:

00:48:31,640 --> 00:48:34,120

it's just easily done, I do it,

they get the update.

:

00:48:34,120 --> 00:48:36,040

Yeah. Fantastic. Fantastic.

:

00:48:36,040 --> 00:48:37,560

And for brand guidelines.

:

00:48:37,560 --> 00:48:41,320

So because brand guidelines,

when I create them they evolve over time.

:

00:48:41,480 --> 00:48:44,480

But yes there might be a version

to unless it's a drastic change.

:

00:48:44,520 --> 00:48:47,000

Got it. Like then

it would be named differently.

:

00:48:47,000 --> 00:48:48,640

I see this little tweaks.

:

00:48:48,640 --> 00:48:51,880

It'll just be updated

and they wouldn't even probably know.

:

00:48:52,040 --> 00:48:56,560

I see, I see and now in terms of the

the structure of the business

:

00:48:56,560 --> 00:48:59,680

itself, like, you know, you're doing

majority of the things yourself.

:

00:48:59,680 --> 00:49:01,440

You are the the face of the business.

:

00:49:01,440 --> 00:49:04,960

You are the actual designer behind

all the work that's being generated.

:

00:49:04,960 --> 00:49:07,240

But are you supporting yourself

with any like,

:

00:49:07,240 --> 00:49:10,000

you know, let's say modular,

sort of structure.

:

00:49:10,000 --> 00:49:11,920

So maybe you have like freelancers

that, you know,

:

00:49:11,920 --> 00:49:15,760

you would pull in to occasionally help you

if the workload get gets too crazy,

:

00:49:15,800 --> 00:49:18,920

maybe virtual assistants, you know,

can you maybe share some thoughts on

:

00:49:18,920 --> 00:49:23,000

on these kind of approaches as well,

whether it's useful or problematic?

:

00:49:23,200 --> 00:49:24,080

Yeah. No. Absolutely.

:

00:49:24,080 --> 00:49:27,080

So I am pretty much me myself and I

:

00:49:27,560 --> 00:49:31,160

run, do design,

speak to clients all by myself.

:

00:49:32,040 --> 00:49:33,560

I kind of enjoy that in a way.

:

00:49:33,560 --> 00:49:36,440

But that's where I am, and that's.

How I know I have that song in my mind.

:

00:49:36,440 --> 00:49:37,280

Oh, by.

:

00:49:38,960 --> 00:49:41,880

So yeah, that is

me, myself in doing all of these things.

:

00:49:41,880 --> 00:49:44,840

However, to your point,

having a VA virtual system.

:

00:49:44,840 --> 00:49:50,080

Yes, I do bring in certain skilled people

depending on the project needed.

:

00:49:50,120 --> 00:49:53,120

I use illustrators for offers.

:

00:49:53,160 --> 00:49:54,880

Copywriters at times.

:

00:49:54,880 --> 00:49:56,480

Yeah.

:

00:49:56,480 --> 00:49:59,440

And I bring them in on a project

depending on what's needed.

:

00:49:59,440 --> 00:50:02,720

You know,

I don't have them there all the time.

:

00:50:02,720 --> 00:50:06,680

Just because if the work's not there to

bring them in, it's only work dependent.

:

00:50:06,720 --> 00:50:07,680

Of course, you know.

:

00:50:07,680 --> 00:50:13,000

And yeah, so I utilize in Australia

photographers and so forth like that.

:

00:50:13,000 --> 00:50:13,480

That's good.

:

00:50:13,480 --> 00:50:17,400

It it allows you to move faster as well

because the, the company isn't as huge.

:

00:50:17,400 --> 00:50:22,840

You don't have the overheads of,

you know, people constantly being employed

:

00:50:22,840 --> 00:50:26,000

because you don't have the, you know,

the need for them every single day.

:

00:50:26,040 --> 00:50:28,080

Right?

So that makes total sense. Of course.

:

00:50:28,080 --> 00:50:31,080

But I think what's also important as well,

:

00:50:31,120 --> 00:50:34,440

even motion

art is a motion designers as well.

:

00:50:34,560 --> 00:50:38,040

I sometimes use

because I can't do those things.

:

00:50:38,080 --> 00:50:41,240

I can illustrate it very little bit,

but I'm not an illustrator,

:

00:50:41,800 --> 00:50:44,800

so I want to bring in the best person

who can do that for the job,

:

00:50:45,000 --> 00:50:46,120

to get the best out of it.

:

00:50:46,120 --> 00:50:49,000

Again,

same emotion or copyright or photography?

:

00:50:49,000 --> 00:50:54,800

Yeah, I have an esthetic I, I art, direct

and do everything how it should be.

:

00:50:54,880 --> 00:50:57,800

I want to get the key people

who are experts at that.

:

00:50:57,800 --> 00:50:59,120

Yeah.

:

00:50:59,120 --> 00:51:02,040

So you can give it justice and deliver the

the best.

:

00:51:02,040 --> 00:51:03,880

Exactly.

And I think this is where it's important.

:

00:51:03,880 --> 00:51:05,200

Like this is what agencies have.

:

00:51:05,200 --> 00:51:08,440

They have the team of people

who specialize in specific things.

:

00:51:08,520 --> 00:51:11,160

Of course you package it

to give it to the client. Yeah.

:

00:51:11,160 --> 00:51:14,960

And I similarly do that in a freelance

smaller scale, not from an agency, but

:

00:51:15,400 --> 00:51:18,360

you still get the best of what you know,

:

00:51:18,360 --> 00:51:21,440

whether it's certain parts of design

or creative service.

:

00:51:21,840 --> 00:51:25,440

I argued this is better, isn't it, because

you know, you're using what's what.

:

00:51:25,440 --> 00:51:27,360

You are the best sort of in.

:

00:51:27,360 --> 00:51:30,360

Then you have another person

who is also the best in their field,

:

00:51:30,440 --> 00:51:31,880

and you just merge the two together.

:

00:51:31,880 --> 00:51:34,200

So that's a good powerful fusion.

:

00:51:34,200 --> 00:51:34,880

Yeah, yeah.

:

00:51:34,880 --> 00:51:39,720

And sometimes in that process,

what I like when I work with illustrators

:

00:51:39,720 --> 00:51:45,440

especially, is that they'll challenge me

with any creative expert in that field, is

:

00:51:45,440 --> 00:51:49,800

that I have the idea of the art direction

because they know this.

:

00:51:49,840 --> 00:51:50,680

Prof.

:

00:51:50,680 --> 00:51:54,080

They may question or we collaborate

together to find something

:

00:51:54,120 --> 00:51:58,400

and that I love, because I think

that is invaluable, because

:

00:51:59,920 --> 00:52:02,960

that is the process of creativity

and creation.

:

00:52:03,000 --> 00:52:05,360

Yeah. And then,

you know, presenting your clients.

:

00:52:05,360 --> 00:52:06,840

I think that's a beautiful thing.

:

00:52:06,840 --> 00:52:08,960

Yeah, absolutely. Absolutely.

:

00:52:08,960 --> 00:52:13,720

All right, then, a couple of questions,

because I've got a small community

:

00:52:13,720 --> 00:52:17,880

that I'm building and I allow the members

to, you know, ask a couple of questions

:

00:52:17,880 --> 00:52:21,080

to the, you know, to the business owners

who are on the show.

:

00:52:21,200 --> 00:52:24,360

One question that I've seen asked

:

00:52:24,360 --> 00:52:27,400

at least three times

already is on the rejection element.

:

00:52:27,400 --> 00:52:32,000

So when you were building your business,

you know, what sort of part did that play?

:

00:52:32,040 --> 00:52:33,520

Did it affect you heavily?

:

00:52:33,520 --> 00:52:35,320

Or you know, where you, like, unbothered?

:

00:52:35,320 --> 00:52:38,440

You know, I just do my own thing

and I'm not going to pay much attention

:

00:52:38,440 --> 00:52:40,600

to the,

you know, to the nose that I'm getting.

:

00:52:40,600 --> 00:52:42,440

What was that that like.

:

00:52:42,440 --> 00:52:46,600

So are you asking rejections in time

in terms of not getting the work for you?

:

00:52:46,760 --> 00:52:47,800

I'll give a quote.

:

00:52:47,800 --> 00:52:50,480

And you're asking specifically

in the earlier stages.

:

00:52:50,480 --> 00:52:52,720

Yes, yes, yes.

So when you were building the, the,

:

00:52:52,720 --> 00:52:55,320

the whole company,

you know, to what it is now.

:

00:52:55,320 --> 00:52:59,440

So in the earlier stages,

rejection was like a knife.

:

00:52:59,480 --> 00:53:01,440

You always wanted to win.

:

00:53:01,440 --> 00:53:03,640

Always wanting to do the work. You know.

:

00:53:03,640 --> 00:53:07,880

So that was very many,

many years ago obviously.

:

00:53:09,320 --> 00:53:10,600

Because you were hungry.

:

00:53:10,600 --> 00:53:12,400

You're passionate,

you want to get into it you know.

:

00:53:12,400 --> 00:53:14,640

So and you're selling you right. Yeah.

Of course.

:

00:53:14,640 --> 00:53:16,200

And it's almost like a personal attack,

:

00:53:16,200 --> 00:53:20,320

which I've come to

realize is not in any shape or form.

:

00:53:20,360 --> 00:53:22,960

Yeah, but younger me saw it like that.

:

00:53:22,960 --> 00:53:25,040

It was almost like the relationship.

:

00:53:25,040 --> 00:53:26,640

You're breaking up with me.

:

00:53:26,640 --> 00:53:29,760

I love it, but.

:

00:53:30,520 --> 00:53:33,440

Obviously, as I've grown over the years.

:

00:53:33,440 --> 00:53:36,440

No, I, I look at a rejection,

:

00:53:37,160 --> 00:53:40,160

I don't really

:

00:53:40,200 --> 00:53:41,840

it's neither good nor bad.

:

00:53:41,840 --> 00:53:43,520

It's just okay, it happens.

:

00:53:43,520 --> 00:53:46,000

And I'm not completely fine

with that. Okay.

:

00:53:46,000 --> 00:53:50,520

And I'm completely okay if I don't

get to work or if I get to work.

:

00:53:50,720 --> 00:53:55,480

You know, one of the things, I never try

and convince a client to use me.

:

00:53:55,520 --> 00:53:56,520

Okay.

:

00:53:56,520 --> 00:54:00,120

And the reason for this

is because I would demonstrate

:

00:54:00,280 --> 00:54:03,240

on the core kickoff Covid,

have a conversation about Alex Blaine.

:

00:54:03,240 --> 00:54:05,240

What I do, my process is.

:

00:54:05,240 --> 00:54:08,960

And demonstrate value

and how I've helped previous client

:

00:54:09,160 --> 00:54:12,200

see what their goals were

and if this aligns with you.

:

00:54:12,240 --> 00:54:13,600

Brilliant.

:

00:54:13,600 --> 00:54:15,160

I never convince them. Okay.

:

00:54:15,160 --> 00:54:18,280

And the reason why I do not convince them

:

00:54:18,280 --> 00:54:21,680

is because I want them

to make that decision.

:

00:54:21,680 --> 00:54:22,920

And provided I'm done

:

00:54:22,920 --> 00:54:27,760

my job good in terms of expressing,

explaining and value. Yep.

:

00:54:28,040 --> 00:54:28,920

They can see that.

:

00:54:28,920 --> 00:54:31,800

And if they have any questions

I'm still follow up with questions

:

00:54:31,800 --> 00:54:34,840

to be helpful to say,

oh, is there anything of concerns.

:

00:54:34,840 --> 00:54:40,280

And so I would never say, you know, I'm

cheaper or I, you know, better than this

:

00:54:40,280 --> 00:54:43,320

or what's the quote,

you know, the budget or the price thing.

:

00:54:43,320 --> 00:54:45,720

I don't do, you know.

:

00:54:45,720 --> 00:54:48,480

I learned this from obviously Crystal.

:

00:54:48,480 --> 00:54:48,720

Right.

:

00:54:48,720 --> 00:54:52,640

The famous when the client asked you

why do you charge so much?

:

00:54:52,760 --> 00:54:53,200

Oh, yes.

:

00:54:53,200 --> 00:54:54,480

Never justify it.

:

00:54:54,480 --> 00:54:56,200

Yeah,

and I don't. It's a. Classic, isn't it?

:

00:54:56,200 --> 00:54:58,800

I it's what my clients pay me.

:

00:54:58,800 --> 00:54:59,520

Yeah. You know.

:

00:54:59,520 --> 00:55:02,640

Yeah. And that's pretty much it.

:

00:55:02,720 --> 00:55:03,680

So that's it.

:

00:55:03,680 --> 00:55:08,840

We were recording a an episode yesterday,

and the gentleman who was a guest,

:

00:55:08,960 --> 00:55:11,960

he says that, you know, the

the good analogy

:

00:55:12,000 --> 00:55:15,360

for something like this

is that you get an expert in

:

00:55:15,600 --> 00:55:20,240

they have to tap in one spot

to fix a problem with a hammer.

:

00:55:20,320 --> 00:55:23,000

Right. And it they charge ten grand. Why?

:

00:55:23,000 --> 00:55:26,600

Because they've learned for 30 years

and they know exactly where to tap.

:

00:55:26,840 --> 00:55:28,520

Right. It's it's that thing, isn't it?

:

00:55:28,520 --> 00:55:30,800

You know, and you need to know your value.

:

00:55:30,800 --> 00:55:32,720

And see that is the thing.

:

00:55:32,720 --> 00:55:38,640

So when you've got CEOs of companies

owners, right, their time is valuable.

:

00:55:38,680 --> 00:55:42,320

Of course, go through the process of

unpacking, which they probably don't have.

:

00:55:42,640 --> 00:55:45,480

They would put money to take a problem

off their desk.

:

00:55:45,480 --> 00:55:47,360

Yeah. Wicker. Yeah.

:

00:55:47,360 --> 00:55:50,360

Because it buys them time to do things

where they need to focus in.

:

00:55:50,680 --> 00:55:54,960

So if either not some people

see the value in that, some people don't.

:

00:55:54,960 --> 00:55:56,400

And that's okay. Yeah.

:

00:55:56,400 --> 00:56:02,160

You know, and what I want to try and do,

or I hope I do, is help my clients

:

00:56:02,200 --> 00:56:05,360

see the value in what they're doing,

bringing something to life.

:

00:56:05,400 --> 00:56:05,640

Okay.

:

00:56:05,640 --> 00:56:08,640

And that gives me the purest joy, right?

:

00:56:09,040 --> 00:56:11,160

When I've helped client see the potential.

:

00:56:11,160 --> 00:56:13,480

And I see them grow beyond the design.

:

00:56:13,480 --> 00:56:16,600

Obviously,

the design is the main byproduct.

:

00:56:16,640 --> 00:56:19,720

Yes, but it's the excitement

when they see the.

:

00:56:19,760 --> 00:56:23,720

When I present the concept,

they light up and, you know,

:

00:56:23,760 --> 00:56:26,760

that is like,

oh, it's like I'm birthing them a baby.

:

00:56:27,600 --> 00:56:30,080

It's like, and that excites me.

:

00:56:30,080 --> 00:56:33,080

And then we go through the process

and talk about and delivering

:

00:56:33,080 --> 00:56:36,240

and just everything,

all these components coming together.

:

00:56:36,240 --> 00:56:40,400

And something that sparked in them

that it just gives me joy.

:

00:56:40,400 --> 00:56:43,320

And it's it's just like a belief.

Yeah. Wow.

:

00:56:43,320 --> 00:56:44,840

I didn't even think it could be there.

:

00:56:44,840 --> 00:56:47,720

You're actually radiating sort of passion

right now.

:

00:56:47,720 --> 00:56:50,720

I can sort of sense it. I can tell it's.

:

00:56:50,840 --> 00:56:51,360

Yeah.

:

00:56:51,360 --> 00:56:54,360

For me that that is the thing

why I do what I do.

:

00:56:54,600 --> 00:56:56,720

Design for me, I think is a byproduct.

:

00:56:56,720 --> 00:57:00,480

Yeah, but it's helping people,

whether it be, well,

:

00:57:00,520 --> 00:57:03,080

in this case, clients and stuff. Yeah.

:

00:57:03,080 --> 00:57:05,840

To see the best version

of what they can do in their business.

:

00:57:05,840 --> 00:57:10,360

And I'm just giving that little bit,

I think in the biggest realm of.

:

00:57:10,640 --> 00:57:13,120

Wow, wow. Such a great story.

:

00:57:13,120 --> 00:57:14,160

I love it.

:

00:57:14,160 --> 00:57:18,440

So the second question from the community

was along the lines of

:

00:57:18,480 --> 00:57:22,480

how would you approach

measuring the success in what you deliver?

:

00:57:22,520 --> 00:57:25,840

So if somebody goes

through the process of rebranding

:

00:57:25,840 --> 00:57:30,040

and you deliver the results,

then how can they even approach

:

00:57:30,040 --> 00:57:34,920

that conversation of quantifying,

that it brought them

:

00:57:34,920 --> 00:57:38,960

some improvement in versus

what it used to look like.

:

00:57:38,960 --> 00:57:41,520

I would always ask the question

that to the client.

:

00:57:41,520 --> 00:57:42,400

Okay, okay.

:

00:57:42,400 --> 00:57:46,360

Because I don't know

specifically how it's measured.

:

00:57:46,360 --> 00:57:48,160

And this is what I would ask the client.

:

00:57:48,160 --> 00:57:50,160

How would you measure the success?

:

00:57:50,160 --> 00:57:51,160

Oh, okay. What's done?

:

00:57:51,160 --> 00:57:56,440

So they might, for example, say, well,

I'm doing this brand identity.

:

00:57:56,640 --> 00:58:00,520

We want to make x amount

or have X amount of revenue, for example,

:

00:58:00,560 --> 00:58:03,560

or followers

or selling a certain amount of products.

:

00:58:03,600 --> 00:58:04,720

Okay. Right.

:

00:58:04,720 --> 00:58:05,320

I'm like okay.

:

00:58:05,320 --> 00:58:07,440

So we understanding one part of it.

:

00:58:07,440 --> 00:58:10,440

What number is that you need to reach?

:

00:58:10,440 --> 00:58:13,960

I see the analytics and detail of specific

things.

:

00:58:14,000 --> 00:58:14,760

Got it.

:

00:58:14,760 --> 00:58:19,640

And I, I can't really say what value

they will see.

:

00:58:19,800 --> 00:58:21,440

I would need to ask the question.

:

00:58:21,440 --> 00:58:22,000

True.

:

00:58:22,000 --> 00:58:25,840

So, yeah, the value is always

what I'd ask the client, you know,

:

00:58:25,880 --> 00:58:27,080

how do they measure it?

:

00:58:27,080 --> 00:58:32,080

You know, but what I what has come

up, the value is that when an image

:

00:58:32,080 --> 00:58:35,880

or identity system that's worked

in the way it's helped connect

:

00:58:35,920 --> 00:58:37,560

more people to their businesses.

:

00:58:37,560 --> 00:58:40,640

I see, so it's communicating something

where they're getting more reach,

:

00:58:40,680 --> 00:58:42,160

more followers and so forth.

:

00:58:42,160 --> 00:58:45,160

So the bigger question is asking them,

well, how do you measure it?

:

00:58:45,160 --> 00:58:48,080

What is the thing

you want out of it? Got it.

:

00:58:48,080 --> 00:58:51,160

Are we by doing this project,

is it going to help move it there?

:

00:58:51,320 --> 00:58:53,480

I can demonstrate to you what it can do.

:

00:58:53,480 --> 00:58:55,760

Yep. But then after creating

:

00:58:57,040 --> 00:58:58,720

an identity or project or graphic

:

00:58:58,720 --> 00:59:02,920

for the client, it's up for the client to

then take it from there.

:

00:59:02,960 --> 00:59:05,400

I see. Take it forward.

So it's it's almost the aftercare.

:

00:59:05,400 --> 00:59:06,600

It's like, oh here you go.

:

00:59:06,600 --> 00:59:09,560

Here's a nice new shiny

image for your company.

:

00:59:09,560 --> 00:59:09,960

Yeah.

:

00:59:09,960 --> 00:59:13,320

But if you don't know what you're doing

with it, that becomes a downfall.

:

00:59:13,360 --> 00:59:15,760

Or it can be the thing that pushes it

so high.

:

00:59:15,760 --> 00:59:16,760

And I've got an impression.

:

00:59:16,760 --> 00:59:19,800

This is exactly the place

where this question is coming from.

:

00:59:19,800 --> 00:59:24,200

So they might not necessarily know

how to even think about that.

:

00:59:24,240 --> 00:59:26,640

So what would you typically look for?

:

00:59:26,640 --> 00:59:27,840

Increase metrics. Right.

:

00:59:27,840 --> 00:59:31,040

As a result of going through

rebranding for example.

:

00:59:31,120 --> 00:59:32,360

Is that correct? Yeah.

:

00:59:32,360 --> 00:59:33,480

Okay. Okay.

:

00:59:33,480 --> 00:59:34,800

So it's not necessarily

:

00:59:34,800 --> 00:59:37,800

the process of delivering the work

that's going to bring you any results.

:

00:59:37,840 --> 00:59:40,040

Guys. It's what happens after.

:

00:59:40,040 --> 00:59:43,560

So you would then have to pay attention

to the metrics analytics

:

00:59:43,560 --> 00:59:45,760

and just see what changes around that one.

:

00:59:45,760 --> 00:59:46,920

Yes exactly.

:

00:59:46,920 --> 00:59:48,160

So and it's also like

:

00:59:48,160 --> 00:59:52,120

okay, we've done this creation

because like I said, when I do strategic

:

00:59:52,200 --> 00:59:55,880

branding or brand designer, let's say it's

not just a decorative thing.

:

00:59:55,920 --> 00:59:59,000

It's like, what are the things

that the business can do going forward.

:

00:59:59,040 --> 01:00:02,120

How can you leverage

some of the content on your social?

:

01:00:02,160 --> 01:00:03,520

Yeah. You know, how do you show up?

:

01:00:03,520 --> 01:00:06,560

What networking event, what other

:

01:00:06,560 --> 01:00:10,480

parts of the business that needs to move

in this direction with the new identity?

:

01:00:10,520 --> 01:00:15,000

I see there's a visual identity,

but there's a verbal identity

:

01:00:15,520 --> 01:00:17,160

that's so important.

:

01:00:17,160 --> 01:00:20,160

The company voice. Yes. Yeah.

:

01:00:20,280 --> 01:00:22,040

All of our senses is how I look.

:

01:00:22,040 --> 01:00:23,320

This is, in the simplest way.

:

01:00:23,320 --> 01:00:28,640

Where I came to clients is how everything

of our senses is a brand perception.

:

01:00:28,680 --> 01:00:32,280

What we see, what we smell, what we speak

and how we listen.

:

01:00:32,360 --> 01:00:34,120

Yep. Simple. Is that so?

:

01:00:34,120 --> 01:00:36,520

The visual is one part,

but there's all these other senses

:

01:00:36,520 --> 01:00:39,840

in how people interact with it,

but they need to move into alignment.

:

01:00:39,880 --> 01:00:43,840

So at the business, what are they

adopting in terms of the behaviors

:

01:00:43,840 --> 01:00:45,680

and how they're putting themselves out?

:

01:00:45,680 --> 01:00:49,880

Communicating, networking,

connecting distance processes

:

01:00:49,920 --> 01:00:52,480

along with the visual thing

that's now new. Got it.

:

01:00:52,480 --> 01:00:54,360

Because it's bigger.

:

01:00:54,360 --> 01:00:55,000

Yeah.

:

01:00:55,000 --> 01:00:58,840

So it's looking at you know, basically

you have to take a broader perspective

:

01:00:58,880 --> 01:00:59,920

onto all these things.

:

01:00:59,920 --> 01:01:04,280

And and it's an amalgamation of, of,

of of everything that's being done.

:

01:01:04,320 --> 01:01:06,080

Wow. That's that's amazing advice.

:

01:01:06,080 --> 01:01:07,400

Thank you so much.

:

01:01:07,400 --> 01:01:10,240

Where can people find you?

:

01:01:10,240 --> 01:01:12,680

Let's let's go through that stage now.

:

01:01:12,680 --> 01:01:16,200

The best place to find me

is on my Instagram handle.

:

01:01:16,480 --> 01:01:19,360

Yep. Rack dot I am.

:

01:01:20,680 --> 01:01:23,880

And LinkedIn is to platforms.

:

01:01:24,200 --> 01:01:24,600

So yeah.

:

01:01:24,600 --> 01:01:27,720

But there's Instagram is the best place

pretty much

:

01:01:28,800 --> 01:01:31,000

I am. Okay.

:

01:01:31,000 --> 01:01:33,800

We'll put it in the description

of the episode obviously.

:

01:01:33,800 --> 01:01:36,560

Do you wish to share any final thoughts.

:

01:01:36,560 --> 01:01:39,560

Maybe the importance of design

anything around that one.

:

01:01:39,600 --> 01:01:43,480

Just to sort of summarize the,

the conversation?

:

01:01:43,600 --> 01:01:48,800

I think the biggest thing what I was is

the mighty new micro is about branding.

:

01:01:48,800 --> 01:01:53,360

It's, I think, not what you say about your

business to be true, what others say or

:

01:01:54,560 --> 01:01:56,120

gut feeling.

:

01:01:56,120 --> 01:01:57,840

So I think it's important.

:

01:01:57,840 --> 01:02:00,320

So yeah, this idea of that.

:

01:02:00,320 --> 01:02:02,640

Oh, I want something for my business.

This is what I want.

:

01:02:02,640 --> 01:02:05,600

You've got to put yourself in the clients

or their clients.

:

01:02:05,600 --> 01:02:06,080

Yeah.

:

01:02:06,080 --> 01:02:08,600

What is it

not they want is what do they need?

:

01:02:08,600 --> 01:02:13,560

So you act with the the

the thinking of what the end user.

:

01:02:13,880 --> 01:02:15,400

Is thinking. That's the biggest thing.

:

01:02:15,400 --> 01:02:20,600

Put yourself in the position

of the customer and what they're thinking.

:

01:02:20,640 --> 01:02:23,400

Wow. Better deliver for them.

This is so powerful.

:

01:02:23,400 --> 01:02:24,720

Thank you so much. Thank you.

:

01:02:24,720 --> 01:02:25,840

It was a great episode.

:

01:02:25,840 --> 01:02:28,840

Thank you. Thank you so much. Thank you.

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About the Podcast

The Upgrade Zone Podcast by Daniel Chrzastek
The Person. The Business. The Tech behind it. We bring awareness to tech issues, concepts and valuable insights to help you grow.
Most businesses run on systems held together with good intentions, faith and a bunch of spreadsheets someone built in 2019. The Upgrade Zone sits down with UK founders and gets into the technology decisions behind their businesses. Not the polished version. The real one. Every conversation rests on three pillars: the person behind the business, how the business actually works and the tech that supports it. If you're a founder, owner or operator of a business, you might have had this conversation many times off the record. Well, now it's on the record. Hosted by Daniel Chrzastek.
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