How do people feel about your brand? - Business of Design
Here's the truth about your brand: it was never really up to you. It's the gut feeling someone gets the moment they meet your business, not the words you use to describe it.
Rakesh Makwana is a brand designer and art director with more than two decades in the industry, helping founders and business owners build visual identities that actually connect with the people they're trying to reach. In this episode of The Upgrade Zone, Daniel Chrzastek talks to him about what a brand really is, how his discovery process works, where AI fits into a design studio, and why he never tries to convince a client to hire him.
Subscribe for more conversations with UK business owners about the tools and decisions behind their businesses. If you're building a brand, running a service business, or trying to work out why some companies just feel more trustworthy than others, this one is for you.
WHAT WE COVER
- Growing up in a family of makers, and discovering design at seven
- Being diagnosed with dyslexia, and reframing it as a creative advantage
- Why a brand is not your logo: Marty Neumeier's "gut feeling" definition
- The kickoff call, and why it's an assessment for both sides
- Turning down clients when the budget or the fit isn't right
- What actually happens in a brand discovery session
- Presenting two "stylescapes" before any design work begins
- Why two design concepts beat five
- Why Rakesh stopped designing logos on their own
- Using AI for copywriting and pressure-testing ideas, without letting it flatter him
- The tech stack and freelance network behind a one-person design studio
- Handling rejection, knowing your value, and never justifying your price
LINES WORTH STICKING AROUND FOR
"It's not what you say about your brand to be true. It's the gut feeling of the person who perceives you."
"I was very ashamed and embarrassed about being dyslexic because I saw it as a weakness. But for many years now, I see it as a superpower."
"It's not AI taking over your jobs. It's people that are not using it."
CHAPTERS
00:00:00 Introduction
00:00:25 Welcoming Rakesh back to the show
00:01:04 Meet Rakesh Makwana, brand designer and art director
00:02:12 Growing up in a family of makers
00:02:57 Dyslexia, and finding his language in design
00:04:06 Studying graphic design at college and university
00:07:34 From hand-drawn design to the first iMac
00:08:08 Chasing trends before finding design thinking
00:09:31 Why business owners underestimate their own visual identity
00:11:12 Marty Neumeier and the real definition of a brand
00:12:08 Consistency, recall and emotional connection
00:13:10 Colour psychology and what it signals
00:13:41 The discovery process before any design begins
00:15:07 Benchmarking competitors to understand the landscape
00:15:29 How much clients actually know about what they want
00:18:07 Handling friction and misaligned expectations
00:19:17 Building user personas and a brand's DNA
00:19:43 Stylescapes: presenting two directions before designing
00:21:15 Rakesh's end-to-end business process
00:23:27 Qualifying budget before writing a proposal
00:25:16 Taking 50% upfront before discovery begins
00:26:15 Inside the discovery workshop
00:29:06 Why two design concepts beat five
00:30:05 How long a rebrand typically takes
00:31:13 Why Rakesh stopped designing "just logos"
00:33:41 Being a dyslexic, colourblind graphic designer
00:34:52 Using AI for copywriting and articulating ideas
00:38:07 Full AI versus human-first design
00:40:26 Prompting AI to challenge you, not praise you
00:42:45 Why real client feedback beats AI validation
00:45:21 The core tech stack: Adobe Creative Cloud
00:47:03 Google Drive as the central hub for files
00:49:10 Running solo and bringing in freelance support
00:52:27 Community question: dealing with rejection
00:54:55 The value of expertise, and never justifying your price
00:56:05 Community question: measuring rebrand success
01:00:03 Visual identity vs verbal identity
01:01:12 Where to find Rakesh
01:01:43 Final thought: perception is the real brand
Connect with Rakesh
Instagram: @rak.i.am
Connect with The Upgrade Zone
Podcast site: theupgradezone.co.uk/
Spotify: open.spotify.com/show/033YcP3LG4sy5NPHimYLlO
Apple: podcasts.apple.com/us/podcast/the-upgrade-zone-podcast-by-daniel-chrzastek/id6796156750
Instagram: www.instagram.com/danielchrzastek/
LinkedIn: www.linkedin.com/in/danielchrzastek/
LinkedIn: www.linkedin.com/company/the-upgrade-zone-podcast
Support the show:
buymeacoffee.com/danielcheesecake
#BrandDesign #BrandIdentity #SmallBusinessUK #GraphicDesign #TheUpgradeZone
Transcript
and he says, it's not
what you say about your brand to be true.
2
:It's the gut feeling of the person
who perceives you.
3
:Feel the rush.
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:It's a gravity high.
5
:Talking tech is the planets fly.
6
:The upgrades on the show begins.
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:Sit right back and let the future's.
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:All right.
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:Nice. So, Rakesh.
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:Hello, my friend.
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:It's so good to have you on the show.
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:It's been a while
since we've seen each other.
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:Must have been, what, two years now?
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:2023. In London.
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:So nearly three years then? Yeah.
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:Through, a couple of mentors. Right?
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:Now one of them became a big name,
Daniel Priestley.
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:Right.
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:You know, and obviously,
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:Chris, though I think everybody listening,
tuning in will recognize Chris.
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:So shout out.
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:Take us through your story.
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:How did you sort of end up where you are?
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:Share some sort of,
you know, personal stories.
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:You know, we're open to that.
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:Well, firstly, thank you for having me.
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:Dan,
I appreciate you having me here to talk.
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:Obviously, I am Rakesh Makwana,
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:a brand designer and art director
who helps basically
30
:founders and business owners, startups,
maybe medium size as well, businesses
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:to create the visual identity
that connects with the audience.
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:In essence. Who wouldn't need that?
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:You think?
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:Right. Yeah.
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:Yeah.
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:So in a nutshell,
you know I help great visual graphics
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:for businesses
that resonate with the audiences
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:from the obvious of logos,
but brand systems, even behaviors as well.
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:Sometimes we tap into depending
on the business type.
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:Yeah.
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:You know,
mixed with strategic strategy as well.
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:So I'm not a strategy designer
in any shape or form, but I do
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:strategic design
in terms of like it's intentional.
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:Purposeful. Got it. Just decorative.
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:Got it. You know.
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:And so yeah, that's kind of what I do.
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:And I've. Been fantastic at.
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:So obviously I started out
well let me in a nutshell I'll go back.
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:I was six.
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:I, I've always loved design.
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:Okay.
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:Ever since the age of seven.
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:Eight.
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:I say this because I come. Probably.
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:Why not? Probably.
I come from a creative family.
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:My father was a tailor
and his father was a tailor.
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:And their father?
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:And in my family.
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:From my uncles, cousins brother as well.
60
:They were artists.
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:They draw
or they create things they really craft.
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:They had
this element of making and create.
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:So it was always instilled in me.
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:I remember at the age of like eight,
sitting at my dad's sewing machine, making
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:hand puppets with eyes, with buttons
as the eyes and stuff. Wow.
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:These are early, fond memories.
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:So creativity was always there.
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:And then when I went into school,
secondary, you know,
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:I always was better with my hands
or thinking and credit rating.
70
:Academically I used to struggle.
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:Which I found out
in later years in university.
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:Diagnosed with dyslexia.
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:So it kind of connected
whereas I was struggle with them elements
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:which I didn't enjoy as much as to
anything art or design or making.
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:I was just fully in.
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:I was really always kind of in tuned
with that element, which is what I went
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:into, into college and into university
to pursue design and everything.
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:So it was my language.
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:Let's say I see, I. See connect.
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:And what was your,
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:design education like?
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:You mentioned that you went through
that education, sort of.
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:I'm assuming the, the, the sort of
typical education sort of path.
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:How did you find it? Was it was it useful?
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:Did it open any sort of like,
you know, maybe, approach,
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:you know, a new approach
to certain things for you, or did it
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:simply wake up
something that was already there?
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:What what would you say about that one?
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:So this pinnacle moment,
I remember it was in college.
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:I was studying a
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:bachelor or.
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:No. Sorry.
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:A black National diploma in graphic
design.
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:Okay. Context.
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:It was just after secondary school.
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:So it was from age 16 to 18.
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:Okay. For two years.
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:And at that age, we're a teenager.
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:You know, I wasn't
I knew what I wanted to do,
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:but I wasn't really giving it
my full attention in the first year.
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:Got it.
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:And my tutor at the time,
at the end of the first year, said,
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:you're not really progressing here.
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:And if you don't fix up,
we can't allow you to do the second year.
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:Oh, and something and I remember this
switched in me was like, oh wait, hold up.
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:If I don't do the second year,
what would I do?
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:So I didn't want to fail in that
and not do the second year
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:because I love design,
but I just wasn't giving it my attention.
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:I was busy socializing with friends.
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:And just being a teenager.
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:But then that switched.
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:When she said that to me,
I changed my mindset behavior,
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:I started working, I would be in class
doing the research and focus.
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:So that, I think, was a moment where
I realized I wanted to be doing design.
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:So I need to focus in.
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:I see.
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:So and then after that I went in,
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:went to university to do a BA Honors
Graphic design.
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:Nice. For three years.
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:And so
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:going back to your question,
what did I take or how was that?
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:Yeah.
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:At the time I thought,
oh, this is brilliant.
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:Okay.
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:And, you know, learning
and I was learning skills and element.
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:But coming out of university
and having gone into work, obviously
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:skipping all that year, I realized,
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:I don't know if I really took a lot away,
which I applied to myself.
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:And seen.
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:Okay.
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:Of business skills, design
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:theories and concepts and ideology
at that time.
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:Yes, I got that,
but I think I learned more a lot after.
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:I still believe they serve the purpose.
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:Yeah, I wouldn't say,
oh yeah, I did that and that helped me.
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:I see what I'm doing now necessarily.
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:Okay. It's interesting.
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:I can say a similar thing about my,
university days.
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:When I was studying it again,
there was very little
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:that I would apply later
in actually real life scenarios.
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:It was just a lot of theory
which helped to have,
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:let's say,
the background of certain concepts.
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:Fine.
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:But then when it comes to
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:actual practical applications, there
wasn't that much that I could actually
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:use take away with me and just, just,
you know, use at work.
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:Yeah.
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:So, okay, it sounds to me
like it's a similar sort of thing.
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:I never studied design per se.
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:I will sell thought, you know,
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:so whoever you know, whatever I would be
doing around that sort of niche,
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:it was always just, you know, self-taught,
you know, finding those voices online.
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:You know, what they do,
how they do certain things.
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:So I would just
mimic and try to learn from that.
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:But like I said, not to not design
education.
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:What I did, I think it did help.
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:It allowed me to
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:in into
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:that design industry,
understanding things at that time.
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:Again, when I was studying,
it was in:
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:So it was a long time
AI was no longer there.
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:And I think the Imax just kind of came in.
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:I remember
I got my first iMac, as a second year
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:in my university and was like,
wow, you know, it was the the.
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:What a machine.
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:Yeah.
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:So the computers were there,
but they weren't as advanced,
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:but they were there.
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:So it was I was at that period,
the transition from quite
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:traditional methods of like typesetting,
literary and hand-drawn from college
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:and going into the computer
area as well. So.
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:Wow. Did it help you
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:identify your style
at that stage, or did you find that later?
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:Definitely didn't help me identify style.
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:I was following trends at that time.
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:And back then, like
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:David Carson, a renowned graphic
designer, and magazines like Reagan
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:was very
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:grunge, distressed,
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:rough surf type of graphics.
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:You know,
the type was eating away, distressed.
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:You know,
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:text and copy body was mixed match,
you know,
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:challenging the grid system.
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:But it was understanding the grid system,
grid system, sorry.
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:And pushing it
and pushing the boundaries almost.
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:So you. Almost.
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:Know how to break it basically.
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:Yeah. Yeah.
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:You kind of learn, you know, and I think
the more you do of it you kind of learn.
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:So I.
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:See back then I did a, I had a style,
but then it was, it was a, my style.
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:It was what I'm seeing out there.
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:And with mimicking
and part of the education even today
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:I think is mimicking
but then understanding why does it work.
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:So I think I go into a lot of design
thinking about
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:when I look at a design,
let's say a poster or graphic,
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:rather than
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:just face value saying,
oh, it's good, it's bad.
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:I try to understand why does it work?
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:Why is a negative space here working?
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:Why is this? Sure.
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:You know, I try to understand
the system psychology behind it.
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:Almost. Yeah.
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:It's very,
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:under advertised area
because many businesses
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:and I'm sure many listeners
will say the same thing.
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:It's hard
to find a moment to think of these things.
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:And people don't realize how important
having somebody like you involved in
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:how they build their brand
from early stages,
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:and what difference it's going to make
because you know how you are perceived.
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:Obviously, this is your business card.
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:You know, everybody's business card.
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:It used to be a piece of paper, right.
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:Not anymore.
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:Right.
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:It's the social media.
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:It's how you show yourself.
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:So then, you know, having a really, like,
solid visual
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:set of materials and then a clear vision
of how you should use them.
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:You know, without that,
where do you go? Right.
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:You know,
you're missing out opportunities.
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:You know, a number of times I see a van,
which is okay.
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:There is like some,
some design, you know, geometry, whatever.
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:You know, it might be working, might not.
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:I'm not judging that element,
but you know it.
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:Email address, contact details
at gmail.com.
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:Instead of their own name.
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:You know, just bragging about
the name of their company and all that.
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:You know, you don't have those custom
domains sometimes.
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:And these guys don't get me wrong,
they get the jobs.
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:But, you know,
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:I think there is a big portion
that they are missing out on just on that,
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:let's say less
professional approach to certain things.
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:Yeah I guess yeah.
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:No, definitely I do agree with that.
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:And I think how I look
at sometimes visual brand or visual
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:identity is let's say logos for example.
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:Right.
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:We think of logos or people would say,
oh, that's your brand, but it's not.
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:It's part of a tiny piece of what
a brand is. Yes.
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:You know, Marty Neumeier
says this really well about what brand is.
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:He's the author of the Brand Gap book,
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:and he says,
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:it's not what you say about your brand
to be true.
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:It's the gut feeling of the person
who perceives you.
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:Yeah. You know who's the customer?
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:100. Percent,
I think a fantastic way of looking at it,
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:because we might shout and say,
oh, look, I'm this, I'm that my business.
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:We shouting about our business,
we do this, we help people do this.
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:But then
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:we can say that.
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:But how it's received is really a true
reflection, right?
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:Yes. Of that. Yeah.
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:So I think visuals and graphics and logos,
all of these parts from, you know,
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:they are just a reminder to people
when they see you,
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:whether it's externally,
you know, if you've got signage,
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:business cards, stationery,
even social platform helpful.
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:It's a reminder of
you come to top of mind.
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:And what helps come top of
mind is consistency.
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:For example,
because we are creatures of habit
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:and how we see, you know,
if we look at Egyptian.
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:Glyphs back in the day, right?
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:Yeah. Picture
then it was how storytelling in.
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:we see things visually
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:trigger something in us. Right.
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:Oh 100. Percent
emotional connection happening. Yes.
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:So a brand identity
that's done consistently with color,
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:typography, graphics and messaging,
even words play a part of that.
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:Yep. It in builds an emotional connection
in somebody to then decide
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:whether they buy from you or absolutely
are you part of that tribe or you're not.
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:Yeah.
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:Well, that's
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:why we've got all these like niches
like color psychology and all that.
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:And it all is important, isn't it?
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:You know,
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:if you use black and gold, obviously
it's going to give you one impression
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:if you're using jade or,
you know, all these kind of like,
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:earthy tones, it's
going to be a different impression.
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:Whether it's, you know,
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:whether you're aiming for trust,
whether you're aiming for luxury looks.
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:Yeah, it all serves a purpose, right.
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:So and every brand is different.
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:So it's important to go through
that sort of, analysis with somebody,
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:you know, of, of your sort of, you know,
expertise to, to then understand, okay.
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:Where does my brand even fit?
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:Who am I aiming for as a client?
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:You know, you should kind of know that
anyway when you're starting things out,
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:but sometimes you arrive on
certain conclusions later on.
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:So having that process at the early stage
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:and going through
that is, I'd say, really like invaluable.
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:No, it's totally very valuable.
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:And this is something part of my process.
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:So let's say a client signs
we agree on a proposal.
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:They sign document to start work
before any design work is started.
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:We do discovery.
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:Yeah.
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:Would be like we are unpacking.
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:You say you want a brand identity system.
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:I would question why do you want it?
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:Why are you hoping to achieve from it?
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:How would you measure it?
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:What do you think
it's going to give the business?
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:Yeah.
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:You know, and these questions I think
questions are so powerful to unpack
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:and for me to understand firstly
because this is their business,
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:this is their thing,
of course I want to learn.
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:But then in this discovery sessions,
by asking questions why they want,
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:what do they hope to achieve?
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:We often find
I say we, the client often finds out.
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:I didn't even think about what
this impact or something else, you know.
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:So we are learning and they're learning
in that process as well.
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:And it's helping me because I'm getting
raw information from them.
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:Yeah.
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:Which I document and data and put down
when I did a design process later.
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:You know, it's designed with substance.
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:I'm going by data and experience
of what they've said.
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:But then there's also a benchmarking
as well looking at the competitors.
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:Yeah.
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:What are they doing
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:and what I like I mentioned earlier about
when you look at a poster for example,
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:and you see a face value,
why does it work a certain way?
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:So similarly we analyze benchmarks usually
what's working and what's not.
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:In our opinion, how is it perceived, you
know, just to understand the landscape.
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:Yeah.
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:You have a understanding that we as
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:a service provider
and a client understand that our line.
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:Sure.
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:Do we agree on these things? Sure.
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:Or not even even challenge it.
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:Yeah. Self selfish question at this point.
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:How often do they know
answers to these questions?
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:And how often do you actually have
to lead them step by step to actually
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:help you or help
them answer these questions for you?
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:Because I bet
some of them would simply not know.
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:Yeah.
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:And it really varies.
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:Depends on it really varies.
339
:I wouldn't know percentages
like, you know, people
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:who don't quite often.
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:It's not they don't know.
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:I think
going through the conversational process
343
:and talking about it, it unpacks
more things that they may not be aware of.
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:I see.
345
:So they know their business to a degree,
depending on if there are start ups
346
:or they're still learning
or they're done their research.
347
:But then when I've worked with larger
organizations who have hundreds
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:and thousands of employees
and going in there with the stakeholders
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:and working with them,
they know what they want.
350
:However they know what they want.
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:I want, I don't know,
let's say a brand campaign done
352
:for this particular product
we're launching.
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:Okay.
354
:But I will still ask conversational.
355
:I would still ask them
questions to unpack.
356
:Why is it you want,
what are we trying to unpack?
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:And in that conversation what happens
quite often I would say probably higher
358
:percentage of that 80 or something is
from what they wanting to
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:what the result or the delivery is at
the end is a little tweak based.
360
:I see what the results
they wanted out of it.
361
:I see the big.
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:Thing because you show them
a different perspective
363
:to look at these things
and how they are supposed to function.
364
:Yeah, that yeah,
that pays a big part into it as well.
365
:But I think sometimes
they might have a fixed dated idea
366
:that I want this
because it's going to give me this result.
367
:I see, and I just question it
to almost say, well,
368
:okay, I'm not saying it's not the case,
but I would just challenge it
369
:and ask questions to see,
is that what the end result is?
370
:Are we going to see?
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:And then through my skill
sets of rating design and resonate.
372
:Yeah.
373
:You know, I married the two of what
they want and research and benchmark
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:and looking at the industry
and how we make it
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:in a way that they own it,
they become them.
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:You know.
377
:I see okay.
378
:Do you see a lot of friction
at the beginning.
379
:So and I'm, I'm specifically referring,
referring to, the adoption element.
380
:So you give them something.
381
:Okay.
382
:They say all right. Yeah.
383
:But do they often say that. Yeah.
384
:It feels like us or,
you know, is there like, any friction.
385
:So you have to kind of explain things
to them and just sort of,
386
:you know, just present it
from that perspective, okay.
387
:Yeah.
388
:Because this, this, this and that,
you know, it, it will, you know, embrace,
389
:you know, the values of the
of the company.
390
:You know, the mission, the vision
that you've got for yourself and all that.
391
:Does that happen?
392
:You know, quite often as well.
393
:Or so many years ago
when I was learning the,
394
:the design and the design of business
and business of design.
395
:Yeah, right.
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:It would happen so often.
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:Okay. Got it.
398
:Because I wasn't addressing the objective.
399
:I was addressing
just esthetics of designs.
400
:I hope they would like it
based on a very short conversation.
401
:We would have got it.
402
:What's changed has been
403
:I spend a lot of time in the discovery,
like I mentioned, and outlining
404
:their goals, objective
and even doing user personas like this.
405
:For who?
406
:Yes, you want it as a business,
but who are your audiences?
407
:And we'll go into detail
of having a name for this person
408
:a age, marital status, salary,
benchmark, references.
409
:Where do they show? Where do they eat?
410
:What's their lifestyle?
You really understand that?
411
:We understand the end user who
the business is trying to attract.
412
:Got it right.
413
:So that becomes almost a blueprint
or DNA based on that.
414
:There's keywords, other important
415
:aspects of the business
which are plugged in in the discovery.
416
:And then when I do presented design before
I, before I even presenting, after doing
417
:that work, I would go into phase
418
:two, what I called style scapes, okay,
419
:which is a curated mood board
but detailed with typography color.
420
:Sure.
421
:Now typically present to based on
what we've already discussed
422
:and present and discuss, say look,
this is route A and this is Ruby.
423
:Just to for us to align to say,
424
:do they like this visual direction
before we start working going into it.
425
:Yeah.
426
:So this is what I've learned before.
427
:Earlier on in my career,
I would just jump into design.
428
:I see
this is where I would get into friction.
429
:I see what's now
430
:winning the friction.
431
:Not being there now is doing this process
of checking in with the client.
432
:This is a style scape B
and we'll have a discussion
433
:and we'll agree
at that point to say right. We agree.
434
:We want to go with Stars Gate A
and there will be feedback. And
435
:and from that point on the design concept
and development happens
436
:based on the style
and why this is important.
437
:And what I've learned
is I'm not presenting when I do end up
438
:presenting a design of, let's say, concept
to a client, they're not surprised.
439
:So it's almost a stab in the dark.
440
:They kind of know
what they're going to get
441
:because, yeah, we've aligned ourselves.
442
:They know what they like
or what they don't like.
443
:So I'm kind of addressing things
with a clear focus.
444
:I see. So that definitely helps.
445
:I see.
446
:It sounds to me
447
:like you rely heavily on the systems
that you've introduced over the years.
448
:So if you could take us through
how you run your business,
449
:you know, just to give us an idea
how you've structured things,
450
:and then we can kind of move on to the,
let's say, what's what's under the hood.
451
:And you know, what you're using
to help yourself with the process.
452
:But let's start
with the overall structure.
453
:How you how let's say,
you know, the client comes in, right.
454
:Oh I'd like a nice logo.
455
:Okay. Yeah.
456
:Obviously
we know what your first question would be.
457
:But you know, when when it comes
to actually working with that client,
458
:you know, how how did you sort of
build your systems and,
459
:and the business structure itself
to, you know, to be able to process it
460
:and help you to cope with the workloads,
etc..
461
:Okay.
462
:So my system or my process
how it typically works from
463
:let's say I have a kickoff
call a leads come my way.
464
:I will start off by having a kickoff call
first with the client.
465
:Yep. To understand what they need,
what they want.
466
:And really understand what the budget
is, you know.
467
:Very quick pause to everybody listening.
468
:What they need and what they want
are two very different things.
469
:Very different.
470
:So this
is why the kickoff call is so important,
471
:because it really determines,
I think, beyond even doing anything.
472
:Are we going to be a good match?
473
:Meaning am I going to be the right person
to do this job?
474
:And are you the right client
for what I need as well?
475
:Because I think in service providing
we always sometimes not we
476
:some people at times jump
to always give everything of themselves.
477
:Whereas I've been more cautious
now to assess, to see
478
:is this going to help me as well?
If it's not, if we're not good.
479
:Matt, I'm okay to say, look,
I might not be the person for this.
480
:I see and recommend them
to some of the other.
481
:But anyway,
so I'm sorry. Is that the stage?
482
:Is that the stage
483
:where you also look for any like red flags
in the way they behave or.
484
:Okay, okay.
485
:So hence the kickoff call is really assess
because I've never met them.
486
:We're jumping on the first call
to see learn about the business
487
:as people and see if we just gel
or if we don't.
488
:You know. I. See I'll find out.
489
:Typically the budget,
the scope of the work.
490
:And based on that it will well,
491
:based on that
it will move over to proposal stage.
492
:So I would give
I would ask for the budget pretty often.
493
:Clients might say, well
we don't have a budget, I'll give a range.
494
:And if it fits within that range
before I do a proposal,
495
:because I don't want to waste my time
with their time.
496
:I want to be quite clear upfront to say,
look, it will be between this range.
497
:Is that aligned with you?
498
:Are you comfortable
with investing in something like this?
499
:I see.
500
:And what if they don't?
501
:Very quickly I realize I don't
I don't take any further.
502
:Not to say I'm not going to do it,
503
:but I might recommend them
to somebody else
504
:because I don't want to go into the
proposal stage or waste my time with this.
505
:But should they be happy to
invest in that sort of a range?
506
:I would do a proposal
507
:that will eyeline my process,
my design, detailed about my business
508
:credentials, case
509
:studies, investment
and timelines very detailed.
510
:And then I'll send that over to them
with a statement of work document
511
:which stipulates,
512
:that well,
the teases of the work copyright,
513
:additional amends
514
:or, you know, all the fine detail,
exactly what they're going to get.
515
:So along with the proposal
in the statement and work goes out
516
:to the client and, and typically
I would present the proposal as well.
517
:Okay. I think this is important.
518
:And I've realized this works better
or it has worked better for me because
519
:when I go through the proposal and explain
and if they have any questions,
520
:we address things quite straightforward
or in that moment.
521
:So always the case depending
on the client, they're quite busy.
522
:They have other commitments.
523
:Sometimes I have to send it
524
:Should they agree with the proposal,
the cost and everything.
525
:The same document.
526
:Yep I use Adobe Doc sign,
527
:which is a process which helps me out
because I don't have to keep chasing.
528
:So it's sent to them.
529
:They sign it, pay 50% up
front of the total cost of the project.
530
:Yep, comes back to me.
531
:And at that point only does
the discovery session happen.
532
:You've just touched
on very critical point,
533
:because I don't think many of us think,
especially at the very early stage
534
:of the business, about ways
how you can secure yourself.
535
:You know, you walk into a project,
536
:especially if you have to purchase
some materials and deliver some some work.
537
:Or maybe you're
538
:you're buying some licenses
to be able to deliver, you know,
539
:what you've just said about,
540
:you know, signing it off,
but also as part of that process,
541
:they give you some money up front
and only then you start the actual work.
542
:Yes, I think it's so critical.
543
:So, you know, great
that you've already got that.
544
:And, and it's just it's just
545
:why it's critical is that
they are committed to this as well.
546
:Yeah. And you know,
547
:I then trust
and we trust each other to say, right.
548
:We want to move forward. Yeah.
549
:You know, it's, trust in knowing for
and that's typically my process.
550
:But yeah that's how that happens. So.
551
:After the signing happen
then we do discovery.
552
:Cool. Okay.
553
:This is where we go.
554
:Like it may be a
555
:workshop.
556
:We might do half a day or few hours
depending.
557
:Okay.
558
:And we'll go
I call it this client workbook,
559
:which I got actually there was a template
from Jay Crawley.
560
:Shout out to him
if anyone wants to buy this template.
561
:It's really helpful. Okay.
562
:And why it's helpful
is because it it's a process
563
:that I go through
with the client to unpack.
564
:What is it
they want, you know, what's their mission?
565
:What's the vision? Okay.
566
:You know what?
567
:If they want this logo or brand system,
you know, what things do they like?
568
:What colors, what things have worked?
What things haven't worked?
569
:What are the challenges they face?
570
:I'm packing so many things,
not just esthetic design, but,
571
:you know, I would even ask questions.
572
:Have they worked with previous designers
in the past?
573
:Okay.
574
:And I would ask what didn't go
well because I want to ensure
575
:that I don't apply or do the same things
they had a bad experience with.
576
:You know, I want this relationship
in partnership to go in a way
577
:that smooth for them and myself as well.
578
:So I'm packing
and asking these questions really
579
:helps and then go into more the business,
580
:what they want as an outcome and so forth,
and even their user personas.
581
:I see, you know, who are they?
What do they look at?
582
:What do they look like? Sorry.
583
:You know,
and then really building on that.
584
:I see. So that's discovery stage almost.
585
:So after the work job
I would take it away, unpack it
586
:I see
what are you doing to give her ideally.
587
:And then the next stage would be
588
:to start thinking about concepts and ideas
589
:based on obviously in this discovery
session that I would ask them
590
:questions about design,
esthetic styles and benchmark.
591
:Who do that aspire to? Do they not?
592
:What is something that is a complete
no no.
593
:Based off that the next stage
would be presenting style sketch
594
:as I mentioned earlier, which would be
presenting two style scapes, one route
595
:going down that way and another one
completely going the opposite way.
596
:The reason for the bipolar opposite
is to really gauge
597
:how they perceive
and where we're pushing the boundaries.
598
:That's really smart. Really smart. Yeah.
599
:And there might even be
600
:we like a bit of A and B,
but so there might be a half a medium.
601
:But it's good that we assessed
that early on before doing so.
602
:There's no surprises later on.
603
:Yeah, exactly. Yeah. And
604
:yeah.
605
:So after
the we aligned on that style scape,
606
:as I mentioned earlier
on, that it goes into design concepts
607
:where I go away and create ideas,
ideologies,
608
:thinking shapes, graphics or whatever
it be
609
:to present them to design concepts.
610
:Okay.
611
:And I do two specifically now,
I used to do
612
:a lot more in the past
five to much choice is too confusing.
613
:Confused mind doesn't buy. Yeah.
614
:And by doing the earlier digging earlier
615
:in the process helps us
616
:get out and meet present
these two concepts got it
617
:quite in line with what they perceive
and where the benchmark.
618
:Makes sense. Industry is.
619
:And then I'll present this to you Brian.
620
:Well two concepts to them and they will
621
:hopefully in the ideal world say back
we love number one.
622
:There's no changes
but it's not always the case.
623
:And of course, of course not the process.
624
:And we will then have a feedback
625
:on that conversation
and where it is and where it's going.
626
:And we will then I'll take
let's say they like a bit of concept one
627
:with a mix of concept
628
:to go back for feedback, revised
and presented again until the point
629
:where we find tune and finalize it
and then it will be delivery.
630
:Pretty much that's kind of the steps
in how I do the process of the design.
631
:And just to give everybody an idea,
632
:how long does it
typically take to go through all this.
633
:You know
634
:are we looking at let's say two months,
three months, half a year or one month.
635
:What does it typically look like?
636
:Just on an average. Of course.
637
:So I'll give you an example of a project
that I'm commonly working on right now.
638
:It's a business called Cake Pallet,
actually based in Leicester.
639
:Okay.
640
:And from
start to finish it's still ongoing,
641
:but it's probably taken,
I would say two months.
642
:Okay. You know, sometimes three.
643
:But then that's not consistently
two months.
644
:There's gaps in between. Of course. Yeah.
645
:But give or take
it can take about one two months.
646
:Three months.
647
:It can even be shorter as well
648
:depending on the scope of the work
and what's needed.
649
:And how much are we doing?
650
:Like, are we doing the whole discovery
651
:or how many parts of the process
are we doing?
652
:I see.
653
:But that, you know, gives everybody,
654
:I think, a good sort of idea
what to expect because, you know, if,
655
:if somebody like, oh,
I need a logo for tomorrow,
656
:that's not the right approach, is it? So
657
:who am I to say it's not.
658
:A lot about.
659
:I don't really design
logos for clients now.
660
:Just logos because yeah, I realize
661
:it doesn't benefit them really
662
:for me, because in the sense that logo is
663
:just a logo without substance, is that
what do you do with it?
664
:Yeah.
665
:And so I've stopped doing that
a long time ago.
666
:Very good.
667
:Not in any bad way.
There are companies are.
668
:Of course, answers. You do that
and that's completely fine.
669
:Yeah, but it's I. It doesn't.
670
:Like I said earlier, design with purpose
that I feel about really injecting
671
:meaning in what I do to help my clients.
672
:Is something bigger
a bigger problem or challenge they have?
673
:Yeah.
674
:So yeah, that's.
675
:But the whole process of, of you,
you know, asking them these questions,
676
:it sounds like it becomes like
an organic part of what they actually are
677
:as a, as a business, what they represent,
you know, and,
678
:it sounds like, you know, you,
679
:you spend a lot of time
like you plan twice and you execute once,
680
:so you don't have to sort of go back
and redraw and, and restart from scratch.
681
:So it,
682
:it secures you as well because you know,
you're protecting your time in a nutshell.
683
:So it's not just the outcome itself
that's better,
684
:but you also only spend time once
and you do it first time.
685
:Right. Yeah.
686
:And I think when I'm doing this as
well, like the the clients are important.
687
:Like the clients that trusting me
to invest in their business through me,
688
:I, I value that a lot.
689
:Meaning. So I want to be respectful
of their time. Yeah.
690
:So having these processes and systems
in what I do in how I approach.
691
:I want to make sure I'm saving them time
because time is money, right?
692
:They are required to do other things.
693
:So if I have processes
that make their life easier.
694
:That's value I think.
695
:Of course, of course.
696
:And I think this day of age, everybody's
697
:running around, you know, with workload
just through the roof.
698
:You know, we're all trying to optimize
for certain things cut to cut down
699
:the time we spend on certain things,
especially in the business.
700
:So having that reliable, robust framework
that you follow.
701
:Yeah, I think it's a win
win for both sides, isn't it?
702
:Definitely.
703
:And it does change,
as you know, as time goes.
704
:Things adapted, tweaked depending on you
know, I'm trying to constantly improve it.
705
:Yeah.
706
:To make it more efficient
and working better.
707
:Okay.
708
:And talking on that point, just to add,
this is where I utilize
709
:AI to help me in that efficiency
of doing part of my process.
710
:So got it.
711
:As I mentioned to you off camera earlier,
that I'm a dyslexic colorblind
712
:graphic designer,
and I think that's quite rare.
713
:And this.
714
:Is not this scripted, guys.
715
:It's not this scripted.
716
:And I'm kind of owning that, you know,
whereas before I was very ashamed
717
:and embarrassed about being dyslexic
because I saw it as a weakness.
718
:But for many years now,
I see it as a superpower
719
:because it allows me to, I don't know,
visually, I see things differently.
720
:And being colorblind.
721
:Yeah, that's another one.
722
:But I see contrast.
723
:What a mix, what. A contrast.
724
:So I would put combinations and things
together which might not be the obvious.
725
:You know like I'm wearing a blue jumper
right now. Right.
726
:I was joking
727
:but I'll see a contrast.
728
:And I would put combinations together
with some surprisingly does work okay.
729
:You know
I think that alternative perspective
730
:is so valuable as well
because you only know what you know.
731
:You don't know what you don't know
any new person in your circle or,
732
:you know, an advisor of,
you know, of your caliber, you know,
733
:you know,
734
:they bring such a different perspective
to everything,
735
:especially when your brain works
differently.
736
:Yeah, I think it's gold, isn't it?
737
:Absolutely.
738
:And this is where, as I mentioned
with the AI.
739
:So I use
AI to help with copywriting sometimes.
740
:So how one of the things
like I mentioned with the dyslexia
741
:is I've always struggled with words
and trying to articulate,
742
:I know what I want to say and I help
AI help me leverage my explanation.
743
:I can chuck it in. Okay. Very
744
:unpolished and just raw.
745
:Yep. And it'll break it down into summary,
which helps me define.
746
:And so I use this process quite a lot.
747
:Okay. My work. Wow.
748
:Not even just
for the copyright side of things,
749
:but even like benchmarking clients,
clients looking at who the benchmarks are.
750
:User personas.
751
:Okay, okay.
752
:Yeah.
753
:Do you, do you do it in writing
754
:or would you actually speak
with one of those AI agents?
755
:I've not really spoken with it.
756
:I would use imagery. Okay. Yeah, yeah.
757
:You know, things of my drawings
or graphics or things I found
758
:inspiration from, based of
759
:the idea, the reset side of thing.
760
:I'll plug in prompts imagery. Yep.
761
:And then kind of just put it in there.
762
:But then it will be a constant
conversation with like back and forth.
763
:And yeah,
there might be nuggets of something.
764
:So I will take that aside.
765
:And but then what I've found when you go
into this rabbit hole sometimes.
766
:Oh, it opens up things that I hadn't
thought about initially.
767
:So I think it's beautiful
because it's getting me to
768
:now think about something different
from what I thought I wanted to take it.
769
:Yeah.
770
:And that's the beautiful thing of the
the creation part of.
771
:Doesn't always happen the way,
but I think that's part of the process of
772
:creativity is that
773
:it's being open and
774
:vulnerable to think like,
where is it going to go,
775
:you know, not having a direction,
but then open to kind of
776
:going off path sometimes
because you unpack some other things that.
777
:That's that's so powerful
because you are constantly in charge
778
:of the whole situation,
but you discover new ways of potentially
779
:approaching certain thoughts or concepts.
780
:So you're basically using it
as an extension of your own sort of,
781
:you know, skill set, you know,
and obviously saving time, I bet,
782
:because if you wanted to, you know,
draw everything by hand every single time,
783
:you know, all the time,
784
:you know, sometimes
just mixing the two things together,
785
:you know, through AI,
it just saves so much time
786
:just to see what
that would look like even.
787
:Yeah, I don't
I guess I don't really use AI so much
788
:for the process of the actual design,
while I use it more behind the scenes.
789
:Yeah. The ideology and the thinking.
790
:But yeah, I don't.
791
:Yeah.
792
:When it comes to the idea, it's
more like seeing what the graphics or
793
:online graphics.
794
:Yeah.
795
:And then kind of
merging the two together.
796
:What do you think in terms of obviously
there's two camps now like you know
797
:everybody like okay your eye UI,
you are either
798
:embracing the AI you're full
799
:in, you know you're all in, you know just
you know full you know, all guns blazing,
800
:you know, nano banana and all these kind
of, you know, latest tech.
801
:And then no, I'm actually going to be
embracing the human side of it, you know,
802
:and there's I think
803
:beauty in both approaches
because you can see the different results.
804
:And, you know, it is polarized in one way.
805
:But then I like seeing the results
from from both camps.
806
:I think it just depends on what mood
I'm in, maybe.
807
:But when it comes
to the functional side of it.
808
:What would you say about that?
Where is it all going?
809
:Like the AI stuff on its own,
it can't be as good, can it?
810
:So you have to
sort of like be you in the process.
811
:I, I look at it
and yang okay, one or the other.
812
:Like I think they both coexist.
813
:I see and I think AI just helped
814
:make things
more efficient, quicker, faster.
815
:Meaning it allows design
thinking and us to create as creators.
816
:Yep, more saves us time to do
817
:more of that
because the machine can do things faster.
818
:Like look at Adobe Photoshop,
all of these AI tools right now,
819
:you know, airbrushing something out
in Photoshop, say, ten years ago.
820
:I'll be there, like with the pen tool
and Magic one for ages,
821
:whereas now it's a button.
822
:So if you're saving that time,
I think it's fantastic.
823
:Of course.
824
:And I heard somebody say this
and I can't remember who it was, but
825
:for people who are scared of it
826
:or reluctant of AI, is that it's not AI
that's taking over your jobs.
827
:It's people that are not using. 100%.
828
:Yeah.
829
:No, we even the camp, we against it
over with it and we're embracing it.
830
:Yeah.
831
:And I think the ones
who probably don't embrace
832
:it will pretty soon fall back
and then have to catch up.
833
:Yeah. So I don't think it's taking over.
834
:I think it's just another tool that I can
utilize.
835
:Yeah.
836
:But yeah, I think
but we still need the human side of it.
837
:And what I mean by
the human side is like talking to clients.
838
:You and I, sitting here speaking,
there's a human connection happening,
839
:and there's still tech
being used for AI or whatever.
840
:But here sitting,
I think there's that marry as well,
841
:where we interject the two together.
842
:This is such a great perspective.
843
:I, I do share a lot in when it comes
to, you know, this approach
844
:because I've always found it,
you know, as soon as I saw
845
:ChatGPT, I'm like, okay, this is great,
this is brilliant.
846
:But it's so easy to fall in that
847
:sort of echo chamber
because it's constantly praising you.
848
:So it's it's not really productive, is it?
849
:Because what a great idea.
850
:You know, it constantly says that I'm
like, okay, let's just pause on that one.
851
:Yeah, exactly.
852
:So that's exactly what I do.
853
:So like, you know, tell me what is wrong
with my concept, with my thinking, etc.
854
:I even went to the lengths of,
I've done like a personality test
855
:with Jordan Peterson Academy, and I've
uploaded results of that and I'm like,
856
:okay, look at this, analyze this and align
this with my business profile.
857
:What I'm trying to do with my offer,
what sort of strengths of my personality
858
:can I leverage. Right.
859
:So it's also the power of you
having an idea of a question to ask it.
860
:Because if you're not asking a strong
question, you're not going to get a strong
861
:sort of result of that.
862
:Is the question.
863
:Yeah, 100%.
864
:So I, I leveraged it from the start
865
:when building my offer and,
and the, the whole ecosystem.
866
:Oh some of the things that yeah, it
the things that it pointed out,
867
:I, I would never think about
I think I can guarantee you
868
:I could be sitting there for a year
and I would not think about that.
869
:So do you find something switched
by understanding that knowing that.
870
:So you almost I don't know. Yeah.
871
:The importance of that question.
Yeah. Yeah.
872
:So I, I layered it in a way
that, you know, the, the master prompt
873
:that's sitting in the background of the,
the, your profile when you register
874
:and all that.
875
:That's, that's one thing that's important.
876
:That's where I would say to to it
like just don't be so like,
877
:you know, don't praise me. Right.
878
:You know, challenge my concept, challenge
my ideas, you know, be analytic
879
:rather than just,
you know, warm and fuzzy and all that.
880
:So that's what I state that clearly.
881
:You still have to repeat it in the prompt
sometimes because it still tends
882
:to, you know, go that direction
unfortunately.
883
:So you you have to keep check on that one.
884
:So that was like
the first layer of securing like, okay, I,
885
:I don't want to hear the positive feedback
all the time because it's pointless.
886
:It's not constructive
criticism is exactly.
887
:And it's very different
to what actual people would say.
888
:So that's the that's the problem.
889
:And what you need is the feedback
from the actual people who I either
890
:your prospects, clients, you know,
891
:maybe past clients that you've sometimes
worked with, you know, like in the past,
892
:you need to have that reliable like,
893
:let's say real life, you know, feedback.
894
:Where is this?
895
:It's just, you know, virtual blob of
information doesn't necessarily validated.
896
:No, definitely.
897
:Funny
you say that because it reminds me of like
898
:one of the things I do as an aftercare.
899
:After finishing a project with a client,
900
:I would ask for them to say a few words
based on some questions.
901
:You know, like a testimonial.
They say. Got it?
902
:Because I think is valuable for me
903
:to kind of understand
how the process went for them.
904
:Yeah. You know, what was the project?
905
:What was the challenges?
906
:How did that help solve that problem?
907
:Because I learn things about
908
:me in that
process, and I want them to be honest.
909
:And I say, look, this is only to me.
910
:If it's positive, it will be published.
911
:If it's not, well, I'm joking,
it will always be published.
912
:Like, I think it's important for me
because I use it as a tool
913
:that I'm getting honest from
somebody I've worked with.
914
:This is very valuable 100%.
915
:Yeah.
916
:Where can I tweak and improve on things
that they found challenging
917
:or that didn't quite go in line?
918
:You know, and because I want to be better.
919
:Yeah.
920
:Every day or at least move the needle.
921
:On that point.
922
:It also helps whoever would be reading
these reviews to also establish
923
:before they even approach you,
they might be going through,
924
:okay, I've got this guy,
I've got this guy, right?
925
:And they just go through the reviews
like this, the case studies,
926
:whatever they would be reading about,
and it just shows your personality.
927
:Maybe you are more on the warm side,
928
:maybe you are more on the human side and
that other person is a bit more robotic,
929
:you know, okay, maybe systems are okay
as well, but then, you know, they are not,
930
:as you know, let's say, you know,
relatable or whatever it happens to be.
931
:So it's just harder to connect with them.
932
:So you're winning automatically.
933
:And that's the kind of client
you want aligned with you.
934
:Yeah.
935
:Again, coming back to that kickoff call
because that assessment
936
:assessment to see where a good fit
you know I'll be going not.
937
:Yeah. Yeah.
938
:And sometimes let's be honest
you know you jump on a call with somebody
939
:and you instantly know
that I can't work with that person.
940
:You don't know why,
but it is a thing, isn't it?
941
:Yeah. No it is.
942
:And and I'm. And I'm quite.
943
:Yeah, it does happen.
944
:And sometimes I'm like, okay, look,
945
:I don't know if I want to work on this
project and not in any bad way to them.
946
:It's just that we are disconnected,
947
:misaligned in that thing or the process
or what we're trying to do.
948
:Yeah,
949
:but I would always be helpful
950
:if it's something that, you know,
I don't choose to want to buy,
951
:take and help doing,
I want to still recommend them.
952
:Should I know anyone
that am I able to help them?
953
:I would always happily.
Okay, I see, I see.
954
:I think it's important that you know,
955
:just because it's
not for me or them or vice versa.
956
:If I can still be of help or service
in some shape or form a recommendation.
957
:Yeah, I will do that. Got it.
958
:Okay.
959
:And I would love to dive in
a little deeper into the the tech behind
960
:your business.
961
:You mentioned the
the documents signing, sort of solution.
962
:You know,
963
:I'm assuming
964
:that you were working on the Adobe package
in terms of the design itself.
965
:So that would be obviously,
you know, one big sort of,
966
:chunky part of the
967
:business that, you know, all you're, like,
processes would sit on, I'm assuming.
968
:Yeah. Well, that would be the greatest.
969
:Cloud suite is pretty much everything.
970
:Without that,
I think I could do my job. Got it.
971
:Or I could find the alternative,
which is affinity, which is,
972
:you know, part of Canva. Yeah.
973
:But when you've been using Adobe for
974
:ten plus years,
kind of know your tools, it's.
975
:Yeah, it's so hard to move away.
976
:Move away.
It's not necessarily to move away.
977
:It's like, yes, if the alternatives
provide something, that's it.
978
:But Adobe have always been there. Yeah.
979
:You know the programs I typically use a
Adobe Illustrator, InDesign and Photoshop.
980
:Yeah. They're the core that I do.
981
:I don't do motion.
982
:I want to try and learn a bit of that
just for myself.
983
:Yeah, but yeah, they're the three
that I use and Acrobat and.
984
:I. See just the document.
985
:So Acrobat I use for the contracts
that I create for clients to sign.
986
:And then I get notification.
987
:Okay.
988
:But that can enhance the other,
you know, sort of other areas
989
:of the business as well,
because you're not just,
990
:you know, using it for one purpose.
991
:It's like an ecosystem of things,
isn't it?
992
:Is there anything else useful
that you might be leveraging?
993
:I don't know when it comes to the,
994
:let's say, managing the contact details
for your clients and suppliers.
995
:You know, anything like,
I don't know, CRM of some sort.
996
:Maybe your database of of of people
that you would have as your clients.
997
:Do you have anything
998
:like one central point, you know, that,
you know, holds everything like that?
999
:I would say
typically I use Google Drive okay.
:
00:47:18,720 --> 00:47:23,360
Which is great, where I have
all the information, forms, documents,
:
00:47:23,400 --> 00:47:24,600
even folders.
:
00:47:24,600 --> 00:47:28,880
After creating all the design files
which I can share with them.
:
00:47:28,920 --> 00:47:32,800
So cloud storage
because it's accessible for from anywhere.
:
00:47:32,800 --> 00:47:33,600
Really. Yeah.
:
00:47:33,600 --> 00:47:37,560
And I think the cloud storage
really helpful, especially when I'm doing
:
00:47:37,560 --> 00:47:41,480
delivery of the deliverable
:
00:47:41,480 --> 00:47:45,240
final files to the client,
I'll share that folder with them okay.
:
00:47:45,280 --> 00:47:49,480
Purely because in the pre cloud
:
00:47:49,640 --> 00:47:52,360
it was that I would send
and there would always be amendments
:
00:47:52,360 --> 00:47:55,840
or changes back and forth having to reason
far back and forth with the.
:
00:47:55,840 --> 00:47:58,880
Night v1 final V1 final final.
:
00:48:00,960 --> 00:48:03,600
For my own process I do v1 v2 v.
:
00:48:03,600 --> 00:48:07,200
I never go to the client, but it's just
so I keep track of the amount of changes.
:
00:48:07,240 --> 00:48:10,960
Yeah, but then knowing to send
when when you know it was that stage
:
00:48:10,960 --> 00:48:12,640
where he would be sending
individual files,
:
00:48:12,640 --> 00:48:17,440
it was so easy to just send the wrong one
and the client would get annoyed.
:
00:48:17,440 --> 00:48:18,280
Right?
:
00:48:18,280 --> 00:48:20,520
It's like,
you know, we're seeing the same thing.
:
00:48:20,520 --> 00:48:24,840
The I, the the storage online is beautiful
because when we share that folder,
:
00:48:24,840 --> 00:48:27,840
if I need to make the men any part of any,
:
00:48:29,120 --> 00:48:31,640
project or task that was created,
:
00:48:31,640 --> 00:48:34,120
it's just easily done, I do it,
they get the update.
:
00:48:34,120 --> 00:48:36,040
Yeah. Fantastic. Fantastic.
:
00:48:36,040 --> 00:48:37,560
And for brand guidelines.
:
00:48:37,560 --> 00:48:41,320
So because brand guidelines,
when I create them they evolve over time.
:
00:48:41,480 --> 00:48:44,480
But yes there might be a version
to unless it's a drastic change.
:
00:48:44,520 --> 00:48:47,000
Got it. Like then
it would be named differently.
:
00:48:47,000 --> 00:48:48,640
I see this little tweaks.
:
00:48:48,640 --> 00:48:51,880
It'll just be updated
and they wouldn't even probably know.
:
00:48:52,040 --> 00:48:56,560
I see, I see and now in terms of the
the structure of the business
:
00:48:56,560 --> 00:48:59,680
itself, like, you know, you're doing
majority of the things yourself.
:
00:48:59,680 --> 00:49:01,440
You are the the face of the business.
:
00:49:01,440 --> 00:49:04,960
You are the actual designer behind
all the work that's being generated.
:
00:49:04,960 --> 00:49:07,240
But are you supporting yourself
with any like,
:
00:49:07,240 --> 00:49:10,000
you know, let's say modular,
sort of structure.
:
00:49:10,000 --> 00:49:11,920
So maybe you have like freelancers
that, you know,
:
00:49:11,920 --> 00:49:15,760
you would pull in to occasionally help you
if the workload get gets too crazy,
:
00:49:15,800 --> 00:49:18,920
maybe virtual assistants, you know,
can you maybe share some thoughts on
:
00:49:18,920 --> 00:49:23,000
on these kind of approaches as well,
whether it's useful or problematic?
:
00:49:23,200 --> 00:49:24,080
Yeah. No. Absolutely.
:
00:49:24,080 --> 00:49:27,080
So I am pretty much me myself and I
:
00:49:27,560 --> 00:49:31,160
run, do design,
speak to clients all by myself.
:
00:49:32,040 --> 00:49:33,560
I kind of enjoy that in a way.
:
00:49:33,560 --> 00:49:36,440
But that's where I am, and that's.
How I know I have that song in my mind.
:
00:49:36,440 --> 00:49:37,280
Oh, by.
:
00:49:38,960 --> 00:49:41,880
So yeah, that is
me, myself in doing all of these things.
:
00:49:41,880 --> 00:49:44,840
However, to your point,
having a VA virtual system.
:
00:49:44,840 --> 00:49:50,080
Yes, I do bring in certain skilled people
depending on the project needed.
:
00:49:50,120 --> 00:49:53,120
I use illustrators for offers.
:
00:49:53,160 --> 00:49:54,880
Copywriters at times.
:
00:49:54,880 --> 00:49:56,480
Yeah.
:
00:49:56,480 --> 00:49:59,440
And I bring them in on a project
depending on what's needed.
:
00:49:59,440 --> 00:50:02,720
You know,
I don't have them there all the time.
:
00:50:02,720 --> 00:50:06,680
Just because if the work's not there to
bring them in, it's only work dependent.
:
00:50:06,720 --> 00:50:07,680
Of course, you know.
:
00:50:07,680 --> 00:50:13,000
And yeah, so I utilize in Australia
photographers and so forth like that.
:
00:50:13,000 --> 00:50:13,480
That's good.
:
00:50:13,480 --> 00:50:17,400
It it allows you to move faster as well
because the, the company isn't as huge.
:
00:50:17,400 --> 00:50:22,840
You don't have the overheads of,
you know, people constantly being employed
:
00:50:22,840 --> 00:50:26,000
because you don't have the, you know,
the need for them every single day.
:
00:50:26,040 --> 00:50:28,080
Right?
So that makes total sense. Of course.
:
00:50:28,080 --> 00:50:31,080
But I think what's also important as well,
:
00:50:31,120 --> 00:50:34,440
even motion
art is a motion designers as well.
:
00:50:34,560 --> 00:50:38,040
I sometimes use
because I can't do those things.
:
00:50:38,080 --> 00:50:41,240
I can illustrate it very little bit,
but I'm not an illustrator,
:
00:50:41,800 --> 00:50:44,800
so I want to bring in the best person
who can do that for the job,
:
00:50:45,000 --> 00:50:46,120
to get the best out of it.
:
00:50:46,120 --> 00:50:49,000
Again,
same emotion or copyright or photography?
:
00:50:49,000 --> 00:50:54,800
Yeah, I have an esthetic I, I art, direct
and do everything how it should be.
:
00:50:54,880 --> 00:50:57,800
I want to get the key people
who are experts at that.
:
00:50:57,800 --> 00:50:59,120
Yeah.
:
00:50:59,120 --> 00:51:02,040
So you can give it justice and deliver the
the best.
:
00:51:02,040 --> 00:51:03,880
Exactly.
And I think this is where it's important.
:
00:51:03,880 --> 00:51:05,200
Like this is what agencies have.
:
00:51:05,200 --> 00:51:08,440
They have the team of people
who specialize in specific things.
:
00:51:08,520 --> 00:51:11,160
Of course you package it
to give it to the client. Yeah.
:
00:51:11,160 --> 00:51:14,960
And I similarly do that in a freelance
smaller scale, not from an agency, but
:
00:51:15,400 --> 00:51:18,360
you still get the best of what you know,
:
00:51:18,360 --> 00:51:21,440
whether it's certain parts of design
or creative service.
:
00:51:21,840 --> 00:51:25,440
I argued this is better, isn't it, because
you know, you're using what's what.
:
00:51:25,440 --> 00:51:27,360
You are the best sort of in.
:
00:51:27,360 --> 00:51:30,360
Then you have another person
who is also the best in their field,
:
00:51:30,440 --> 00:51:31,880
and you just merge the two together.
:
00:51:31,880 --> 00:51:34,200
So that's a good powerful fusion.
:
00:51:34,200 --> 00:51:34,880
Yeah, yeah.
:
00:51:34,880 --> 00:51:39,720
And sometimes in that process,
what I like when I work with illustrators
:
00:51:39,720 --> 00:51:45,440
especially, is that they'll challenge me
with any creative expert in that field, is
:
00:51:45,440 --> 00:51:49,800
that I have the idea of the art direction
because they know this.
:
00:51:49,840 --> 00:51:50,680
Prof.
:
00:51:50,680 --> 00:51:54,080
They may question or we collaborate
together to find something
:
00:51:54,120 --> 00:51:58,400
and that I love, because I think
that is invaluable, because
:
00:51:59,920 --> 00:52:02,960
that is the process of creativity
and creation.
:
00:52:03,000 --> 00:52:05,360
Yeah. And then,
you know, presenting your clients.
:
00:52:05,360 --> 00:52:06,840
I think that's a beautiful thing.
:
00:52:06,840 --> 00:52:08,960
Yeah, absolutely. Absolutely.
:
00:52:08,960 --> 00:52:13,720
All right, then, a couple of questions,
because I've got a small community
:
00:52:13,720 --> 00:52:17,880
that I'm building and I allow the members
to, you know, ask a couple of questions
:
00:52:17,880 --> 00:52:21,080
to the, you know, to the business owners
who are on the show.
:
00:52:21,200 --> 00:52:24,360
One question that I've seen asked
:
00:52:24,360 --> 00:52:27,400
at least three times
already is on the rejection element.
:
00:52:27,400 --> 00:52:32,000
So when you were building your business,
you know, what sort of part did that play?
:
00:52:32,040 --> 00:52:33,520
Did it affect you heavily?
:
00:52:33,520 --> 00:52:35,320
Or you know, where you, like, unbothered?
:
00:52:35,320 --> 00:52:38,440
You know, I just do my own thing
and I'm not going to pay much attention
:
00:52:38,440 --> 00:52:40,600
to the,
you know, to the nose that I'm getting.
:
00:52:40,600 --> 00:52:42,440
What was that that like.
:
00:52:42,440 --> 00:52:46,600
So are you asking rejections in time
in terms of not getting the work for you?
:
00:52:46,760 --> 00:52:47,800
I'll give a quote.
:
00:52:47,800 --> 00:52:50,480
And you're asking specifically
in the earlier stages.
:
00:52:50,480 --> 00:52:52,720
Yes, yes, yes.
So when you were building the, the,
:
00:52:52,720 --> 00:52:55,320
the whole company,
you know, to what it is now.
:
00:52:55,320 --> 00:52:59,440
So in the earlier stages,
rejection was like a knife.
:
00:52:59,480 --> 00:53:01,440
You always wanted to win.
:
00:53:01,440 --> 00:53:03,640
Always wanting to do the work. You know.
:
00:53:03,640 --> 00:53:07,880
So that was very many,
many years ago obviously.
:
00:53:09,320 --> 00:53:10,600
Because you were hungry.
:
00:53:10,600 --> 00:53:12,400
You're passionate,
you want to get into it you know.
:
00:53:12,400 --> 00:53:14,640
So and you're selling you right. Yeah.
Of course.
:
00:53:14,640 --> 00:53:16,200
And it's almost like a personal attack,
:
00:53:16,200 --> 00:53:20,320
which I've come to
realize is not in any shape or form.
:
00:53:20,360 --> 00:53:22,960
Yeah, but younger me saw it like that.
:
00:53:22,960 --> 00:53:25,040
It was almost like the relationship.
:
00:53:25,040 --> 00:53:26,640
You're breaking up with me.
:
00:53:26,640 --> 00:53:29,760
I love it, but.
:
00:53:30,520 --> 00:53:33,440
Obviously, as I've grown over the years.
:
00:53:33,440 --> 00:53:36,440
No, I, I look at a rejection,
:
00:53:37,160 --> 00:53:40,160
I don't really
:
00:53:40,200 --> 00:53:41,840
it's neither good nor bad.
:
00:53:41,840 --> 00:53:43,520
It's just okay, it happens.
:
00:53:43,520 --> 00:53:46,000
And I'm not completely fine
with that. Okay.
:
00:53:46,000 --> 00:53:50,520
And I'm completely okay if I don't
get to work or if I get to work.
:
00:53:50,720 --> 00:53:55,480
You know, one of the things, I never try
and convince a client to use me.
:
00:53:55,520 --> 00:53:56,520
Okay.
:
00:53:56,520 --> 00:54:00,120
And the reason for this
is because I would demonstrate
:
00:54:00,280 --> 00:54:03,240
on the core kickoff Covid,
have a conversation about Alex Blaine.
:
00:54:03,240 --> 00:54:05,240
What I do, my process is.
:
00:54:05,240 --> 00:54:08,960
And demonstrate value
and how I've helped previous client
:
00:54:09,160 --> 00:54:12,200
see what their goals were
and if this aligns with you.
:
00:54:12,240 --> 00:54:13,600
Brilliant.
:
00:54:13,600 --> 00:54:15,160
I never convince them. Okay.
:
00:54:15,160 --> 00:54:18,280
And the reason why I do not convince them
:
00:54:18,280 --> 00:54:21,680
is because I want them
to make that decision.
:
00:54:21,680 --> 00:54:22,920
And provided I'm done
:
00:54:22,920 --> 00:54:27,760
my job good in terms of expressing,
explaining and value. Yep.
:
00:54:28,040 --> 00:54:28,920
They can see that.
:
00:54:28,920 --> 00:54:31,800
And if they have any questions
I'm still follow up with questions
:
00:54:31,800 --> 00:54:34,840
to be helpful to say,
oh, is there anything of concerns.
:
00:54:34,840 --> 00:54:40,280
And so I would never say, you know, I'm
cheaper or I, you know, better than this
:
00:54:40,280 --> 00:54:43,320
or what's the quote,
you know, the budget or the price thing.
:
00:54:43,320 --> 00:54:45,720
I don't do, you know.
:
00:54:45,720 --> 00:54:48,480
I learned this from obviously Crystal.
:
00:54:48,480 --> 00:54:48,720
Right.
:
00:54:48,720 --> 00:54:52,640
The famous when the client asked you
why do you charge so much?
:
00:54:52,760 --> 00:54:53,200
Oh, yes.
:
00:54:53,200 --> 00:54:54,480
Never justify it.
:
00:54:54,480 --> 00:54:56,200
Yeah,
and I don't. It's a. Classic, isn't it?
:
00:54:56,200 --> 00:54:58,800
I it's what my clients pay me.
:
00:54:58,800 --> 00:54:59,520
Yeah. You know.
:
00:54:59,520 --> 00:55:02,640
Yeah. And that's pretty much it.
:
00:55:02,720 --> 00:55:03,680
So that's it.
:
00:55:03,680 --> 00:55:08,840
We were recording a an episode yesterday,
and the gentleman who was a guest,
:
00:55:08,960 --> 00:55:11,960
he says that, you know, the
the good analogy
:
00:55:12,000 --> 00:55:15,360
for something like this
is that you get an expert in
:
00:55:15,600 --> 00:55:20,240
they have to tap in one spot
to fix a problem with a hammer.
:
00:55:20,320 --> 00:55:23,000
Right. And it they charge ten grand. Why?
:
00:55:23,000 --> 00:55:26,600
Because they've learned for 30 years
and they know exactly where to tap.
:
00:55:26,840 --> 00:55:28,520
Right. It's it's that thing, isn't it?
:
00:55:28,520 --> 00:55:30,800
You know, and you need to know your value.
:
00:55:30,800 --> 00:55:32,720
And see that is the thing.
:
00:55:32,720 --> 00:55:38,640
So when you've got CEOs of companies
owners, right, their time is valuable.
:
00:55:38,680 --> 00:55:42,320
Of course, go through the process of
unpacking, which they probably don't have.
:
00:55:42,640 --> 00:55:45,480
They would put money to take a problem
off their desk.
:
00:55:45,480 --> 00:55:47,360
Yeah. Wicker. Yeah.
:
00:55:47,360 --> 00:55:50,360
Because it buys them time to do things
where they need to focus in.
:
00:55:50,680 --> 00:55:54,960
So if either not some people
see the value in that, some people don't.
:
00:55:54,960 --> 00:55:56,400
And that's okay. Yeah.
:
00:55:56,400 --> 00:56:02,160
You know, and what I want to try and do,
or I hope I do, is help my clients
:
00:56:02,200 --> 00:56:05,360
see the value in what they're doing,
bringing something to life.
:
00:56:05,400 --> 00:56:05,640
Okay.
:
00:56:05,640 --> 00:56:08,640
And that gives me the purest joy, right?
:
00:56:09,040 --> 00:56:11,160
When I've helped client see the potential.
:
00:56:11,160 --> 00:56:13,480
And I see them grow beyond the design.
:
00:56:13,480 --> 00:56:16,600
Obviously,
the design is the main byproduct.
:
00:56:16,640 --> 00:56:19,720
Yes, but it's the excitement
when they see the.
:
00:56:19,760 --> 00:56:23,720
When I present the concept,
they light up and, you know,
:
00:56:23,760 --> 00:56:26,760
that is like,
oh, it's like I'm birthing them a baby.
:
00:56:27,600 --> 00:56:30,080
It's like, and that excites me.
:
00:56:30,080 --> 00:56:33,080
And then we go through the process
and talk about and delivering
:
00:56:33,080 --> 00:56:36,240
and just everything,
all these components coming together.
:
00:56:36,240 --> 00:56:40,400
And something that sparked in them
that it just gives me joy.
:
00:56:40,400 --> 00:56:43,320
And it's it's just like a belief.
Yeah. Wow.
:
00:56:43,320 --> 00:56:44,840
I didn't even think it could be there.
:
00:56:44,840 --> 00:56:47,720
You're actually radiating sort of passion
right now.
:
00:56:47,720 --> 00:56:50,720
I can sort of sense it. I can tell it's.
:
00:56:50,840 --> 00:56:51,360
Yeah.
:
00:56:51,360 --> 00:56:54,360
For me that that is the thing
why I do what I do.
:
00:56:54,600 --> 00:56:56,720
Design for me, I think is a byproduct.
:
00:56:56,720 --> 00:57:00,480
Yeah, but it's helping people,
whether it be, well,
:
00:57:00,520 --> 00:57:03,080
in this case, clients and stuff. Yeah.
:
00:57:03,080 --> 00:57:05,840
To see the best version
of what they can do in their business.
:
00:57:05,840 --> 00:57:10,360
And I'm just giving that little bit,
I think in the biggest realm of.
:
00:57:10,640 --> 00:57:13,120
Wow, wow. Such a great story.
:
00:57:13,120 --> 00:57:14,160
I love it.
:
00:57:14,160 --> 00:57:18,440
So the second question from the community
was along the lines of
:
00:57:18,480 --> 00:57:22,480
how would you approach
measuring the success in what you deliver?
:
00:57:22,520 --> 00:57:25,840
So if somebody goes
through the process of rebranding
:
00:57:25,840 --> 00:57:30,040
and you deliver the results,
then how can they even approach
:
00:57:30,040 --> 00:57:34,920
that conversation of quantifying,
that it brought them
:
00:57:34,920 --> 00:57:38,960
some improvement in versus
what it used to look like.
:
00:57:38,960 --> 00:57:41,520
I would always ask the question
that to the client.
:
00:57:41,520 --> 00:57:42,400
Okay, okay.
:
00:57:42,400 --> 00:57:46,360
Because I don't know
specifically how it's measured.
:
00:57:46,360 --> 00:57:48,160
And this is what I would ask the client.
:
00:57:48,160 --> 00:57:50,160
How would you measure the success?
:
00:57:50,160 --> 00:57:51,160
Oh, okay. What's done?
:
00:57:51,160 --> 00:57:56,440
So they might, for example, say, well,
I'm doing this brand identity.
:
00:57:56,640 --> 00:58:00,520
We want to make x amount
or have X amount of revenue, for example,
:
00:58:00,560 --> 00:58:03,560
or followers
or selling a certain amount of products.
:
00:58:03,600 --> 00:58:04,720
Okay. Right.
:
00:58:04,720 --> 00:58:05,320
I'm like okay.
:
00:58:05,320 --> 00:58:07,440
So we understanding one part of it.
:
00:58:07,440 --> 00:58:10,440
What number is that you need to reach?
:
00:58:10,440 --> 00:58:13,960
I see the analytics and detail of specific
things.
:
00:58:14,000 --> 00:58:14,760
Got it.
:
00:58:14,760 --> 00:58:19,640
And I, I can't really say what value
they will see.
:
00:58:19,800 --> 00:58:21,440
I would need to ask the question.
:
00:58:21,440 --> 00:58:22,000
True.
:
00:58:22,000 --> 00:58:25,840
So, yeah, the value is always
what I'd ask the client, you know,
:
00:58:25,880 --> 00:58:27,080
how do they measure it?
:
00:58:27,080 --> 00:58:32,080
You know, but what I what has come
up, the value is that when an image
:
00:58:32,080 --> 00:58:35,880
or identity system that's worked
in the way it's helped connect
:
00:58:35,920 --> 00:58:37,560
more people to their businesses.
:
00:58:37,560 --> 00:58:40,640
I see, so it's communicating something
where they're getting more reach,
:
00:58:40,680 --> 00:58:42,160
more followers and so forth.
:
00:58:42,160 --> 00:58:45,160
So the bigger question is asking them,
well, how do you measure it?
:
00:58:45,160 --> 00:58:48,080
What is the thing
you want out of it? Got it.
:
00:58:48,080 --> 00:58:51,160
Are we by doing this project,
is it going to help move it there?
:
00:58:51,320 --> 00:58:53,480
I can demonstrate to you what it can do.
:
00:58:53,480 --> 00:58:55,760
Yep. But then after creating
:
00:58:57,040 --> 00:58:58,720
an identity or project or graphic
:
00:58:58,720 --> 00:59:02,920
for the client, it's up for the client to
then take it from there.
:
00:59:02,960 --> 00:59:05,400
I see. Take it forward.
So it's it's almost the aftercare.
:
00:59:05,400 --> 00:59:06,600
It's like, oh here you go.
:
00:59:06,600 --> 00:59:09,560
Here's a nice new shiny
image for your company.
:
00:59:09,560 --> 00:59:09,960
Yeah.
:
00:59:09,960 --> 00:59:13,320
But if you don't know what you're doing
with it, that becomes a downfall.
:
00:59:13,360 --> 00:59:15,760
Or it can be the thing that pushes it
so high.
:
00:59:15,760 --> 00:59:16,760
And I've got an impression.
:
00:59:16,760 --> 00:59:19,800
This is exactly the place
where this question is coming from.
:
00:59:19,800 --> 00:59:24,200
So they might not necessarily know
how to even think about that.
:
00:59:24,240 --> 00:59:26,640
So what would you typically look for?
:
00:59:26,640 --> 00:59:27,840
Increase metrics. Right.
:
00:59:27,840 --> 00:59:31,040
As a result of going through
rebranding for example.
:
00:59:31,120 --> 00:59:32,360
Is that correct? Yeah.
:
00:59:32,360 --> 00:59:33,480
Okay. Okay.
:
00:59:33,480 --> 00:59:34,800
So it's not necessarily
:
00:59:34,800 --> 00:59:37,800
the process of delivering the work
that's going to bring you any results.
:
00:59:37,840 --> 00:59:40,040
Guys. It's what happens after.
:
00:59:40,040 --> 00:59:43,560
So you would then have to pay attention
to the metrics analytics
:
00:59:43,560 --> 00:59:45,760
and just see what changes around that one.
:
00:59:45,760 --> 00:59:46,920
Yes exactly.
:
00:59:46,920 --> 00:59:48,160
So and it's also like
:
00:59:48,160 --> 00:59:52,120
okay, we've done this creation
because like I said, when I do strategic
:
00:59:52,200 --> 00:59:55,880
branding or brand designer, let's say it's
not just a decorative thing.
:
00:59:55,920 --> 00:59:59,000
It's like, what are the things
that the business can do going forward.
:
00:59:59,040 --> 01:00:02,120
How can you leverage
some of the content on your social?
:
01:00:02,160 --> 01:00:03,520
Yeah. You know, how do you show up?
:
01:00:03,520 --> 01:00:06,560
What networking event, what other
:
01:00:06,560 --> 01:00:10,480
parts of the business that needs to move
in this direction with the new identity?
:
01:00:10,520 --> 01:00:15,000
I see there's a visual identity,
but there's a verbal identity
:
01:00:15,520 --> 01:00:17,160
that's so important.
:
01:00:17,160 --> 01:00:20,160
The company voice. Yes. Yeah.
:
01:00:20,280 --> 01:00:22,040
All of our senses is how I look.
:
01:00:22,040 --> 01:00:23,320
This is, in the simplest way.
:
01:00:23,320 --> 01:00:28,640
Where I came to clients is how everything
of our senses is a brand perception.
:
01:00:28,680 --> 01:00:32,280
What we see, what we smell, what we speak
and how we listen.
:
01:00:32,360 --> 01:00:34,120
Yep. Simple. Is that so?
:
01:00:34,120 --> 01:00:36,520
The visual is one part,
but there's all these other senses
:
01:00:36,520 --> 01:00:39,840
in how people interact with it,
but they need to move into alignment.
:
01:00:39,880 --> 01:00:43,840
So at the business, what are they
adopting in terms of the behaviors
:
01:00:43,840 --> 01:00:45,680
and how they're putting themselves out?
:
01:00:45,680 --> 01:00:49,880
Communicating, networking,
connecting distance processes
:
01:00:49,920 --> 01:00:52,480
along with the visual thing
that's now new. Got it.
:
01:00:52,480 --> 01:00:54,360
Because it's bigger.
:
01:00:54,360 --> 01:00:55,000
Yeah.
:
01:00:55,000 --> 01:00:58,840
So it's looking at you know, basically
you have to take a broader perspective
:
01:00:58,880 --> 01:00:59,920
onto all these things.
:
01:00:59,920 --> 01:01:04,280
And and it's an amalgamation of, of,
of of everything that's being done.
:
01:01:04,320 --> 01:01:06,080
Wow. That's that's amazing advice.
:
01:01:06,080 --> 01:01:07,400
Thank you so much.
:
01:01:07,400 --> 01:01:10,240
Where can people find you?
:
01:01:10,240 --> 01:01:12,680
Let's let's go through that stage now.
:
01:01:12,680 --> 01:01:16,200
The best place to find me
is on my Instagram handle.
:
01:01:16,480 --> 01:01:19,360
Yep. Rack dot I am.
:
01:01:20,680 --> 01:01:23,880
And LinkedIn is to platforms.
:
01:01:24,200 --> 01:01:24,600
So yeah.
:
01:01:24,600 --> 01:01:27,720
But there's Instagram is the best place
pretty much
:
01:01:28,800 --> 01:01:31,000
I am. Okay.
:
01:01:31,000 --> 01:01:33,800
We'll put it in the description
of the episode obviously.
:
01:01:33,800 --> 01:01:36,560
Do you wish to share any final thoughts.
:
01:01:36,560 --> 01:01:39,560
Maybe the importance of design
anything around that one.
:
01:01:39,600 --> 01:01:43,480
Just to sort of summarize the,
the conversation?
:
01:01:43,600 --> 01:01:48,800
I think the biggest thing what I was is
the mighty new micro is about branding.
:
01:01:48,800 --> 01:01:53,360
It's, I think, not what you say about your
business to be true, what others say or
:
01:01:54,560 --> 01:01:56,120
gut feeling.
:
01:01:56,120 --> 01:01:57,840
So I think it's important.
:
01:01:57,840 --> 01:02:00,320
So yeah, this idea of that.
:
01:02:00,320 --> 01:02:02,640
Oh, I want something for my business.
This is what I want.
:
01:02:02,640 --> 01:02:05,600
You've got to put yourself in the clients
or their clients.
:
01:02:05,600 --> 01:02:06,080
Yeah.
:
01:02:06,080 --> 01:02:08,600
What is it
not they want is what do they need?
:
01:02:08,600 --> 01:02:13,560
So you act with the the
the thinking of what the end user.
:
01:02:13,880 --> 01:02:15,400
Is thinking. That's the biggest thing.
:
01:02:15,400 --> 01:02:20,600
Put yourself in the position
of the customer and what they're thinking.
:
01:02:20,640 --> 01:02:23,400
Wow. Better deliver for them.
This is so powerful.
:
01:02:23,400 --> 01:02:24,720
Thank you so much. Thank you.
:
01:02:24,720 --> 01:02:25,840
It was a great episode.
:
01:02:25,840 --> 01:02:28,840
Thank you. Thank you so much. Thank you.
